One O'Clock in the Morning

At last! I am alone! Nothing can be heard but the rumbling of a few belated and weary cabs. For a few hours at least silence will be ours, if not sleep. At last! The tyranny of the human face has disappeared, and now there will be no one but myself to make me suffer.

At last! I am allowed to relax in a bath of darkness! First a double turn of the key in the lock. This turn of the key will, it seems to me, increase my solitude and strengthen the barricades that, for the moment, separate me from the world.


One From One Leaves Two

Higgledy piggledy, my black hen,
She lays eggs for gentlemen.
Gentlemen come every day
To count what my black hen doth lay.
If perchance she lays too many,
They fine my hen a pretty penny;
If perchance she fails to lay,
The gentlemen a bonus pay.

Mumbledy pumbledy, my red cow,
She’s cooperating now.
At first she didn’t understand
That milk production must be planned;
She didn’t understand at first
She either had to plan or burst,
But now the government reports


On The Late Indecent Liberties Taken With The Remains Of Milton

"Me too, perchance, in future days,
The sculptured stone shall show,
With Paphian myrtle or with bays
Parnassian on my brow.

But I, or e'er that season come,
Escaped from every care,
Shall reach my refuge in the tomb,
And sleep securely there."

So sang, in Roman tone and style,
The youthful bard, ere long
Ordained to grace his native isle
With her sublimest song.

Who then but must conceive disdain,
Hearing the deed unblest,
Of wretches who have dared profane


On The Water

The sound of bank and water is all I hear,
The sad resignation of a weeping spring
Or a rock that hourly sheds a tear,
And the birch leaves' vague quivering.

I do not see the river bear the boat along
The flowering shore flits past, and I remain;
And in the watery depths that I skim,
The reflected blue sky flutters like a curtain.

Meandering in their sleep, you might say the waters
Waver, no longer sure where the bank lies:
And the flower thrown in hesitates to choose.


On the Tombs in Westminster Abbey

MORTALITY, behold and fear!
What a change of flesh is here!
Think how many royal bones
Sleep within this heap of stones:
Here they lie had realms and lands,
Who now want strength to stir their hands:
Where from their pulpits seal'd with dust
They preach, 'In greatness is no trust.'
Here 's an acre sown indeed
With the richest, royall'st seed
That the earth did e'er suck in
Since the first man died for sin:
Here the bones of birth have cried--
'Though gods they were, as men they died.'


On the Skeleton of a Hound

Nightfall, that saw the morning-glories float
Tendril and string against the crumbling wall,
Nurses him now, his skeleton for grief,
His locks for comfort curled among the leaf.
Shuttles of moonlight weave his shadow tall,
Milkweed and dew flow upward to his throat.
Now catbird feathers plume the apple mound,
And starlings drowse to winter up the ground.
thickened away from speech by fear, I move
Around the body. Over his forepaws, steep
Declivities darken down the moonlight now,


On The Meeting Of Garca Lorca And Hart Crane

Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment's relief
he goes to the window to look
down on the East River, darkening
below as the early light comes on.
Something flashes across his sight,
a double vision of such horror


On The Hurricane

You have obey'd, you WINDS, that must fulfill
The Great Disposer's righteous Will;
Throughout the Land, unlimited you flew,
Nor sought, as heretofore, with Friendly Aid
Only, new Motion to bestow
Upon the sluggish Vapours, bred below,
Condensing into Mists, and melancholy Shade.
No more such gentle Methods you pursue,
But marching now in terrible Array,
Undistinguish'd was your Prey:
In vain the Shrubs, with lowly Bent,
Sought their Destruction to prevent;


On the Funeral of Charles the First

The castle clock had tolled midnight:
With mattock and with spade,
And silent, by the torches' light,
His corse in earth we laid.

The coffin bore his name, that those
Of other years might know,
When earth its secrets should disclose,
Whose bones were laid below.

"Peace to the dead" no children sung,
Slow pacing up the nave,--
No prayers were read, no knell was rung,
As deep we dug his grave.

We only heard the winter's wind,


On the Death of Mr. William Hervey

IT was a dismal and a fearful night:
Scarce could the Morn drive on th' unwilling Light,
When Sleep, Death's image, left my troubled breast
   By something liker Death possest.
My eyes with tears did uncommanded flow,
   And on my soul hung the dull weight
   Of some intolerable fate.
What bell was that? Ah me! too much I know!

My sweet companion and my gentle peer,
Why hast thou left me thus unkindly here,
Thy end for ever and my life to moan?
   O, thou hast left me all alone!


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