sleep

Nurse, won't you let him in?
He's barkin' an' scratchen' the door,
Makin' so dreffel a din
I jest can't sleep any more;
Out there in the dark an' the cold,
Hark to him scrape an' whine,
Breakin' his heart o' gold,
Poor little pooch o' mine.

Nurse, I was sat in ma seat
In front o' the barber shop,
When there he was lickin' ma feet
As if he would never stop;
Then all of a sudden I see
That dog-catcher moseyin' by:
"Whose mongrel is that?" says he;
"It's ma pedigree pup," says I.

Poets, come out of your closets,
Open your windows, open your doors,
You have been holed-up too long
in your closed worlds.
Come down, come down
from your Russian Hills and Telegraph Hills,
your Beacon Hills and your Chapel Hills,
your Mount Analogues and Montparnasses,
down from your foothills and mountains,
out of your teepees and domes.
The trees are still falling
and we’ll to the woods no more.
No time now for sitting in them
As man burns down his own house
to roast his pig

These are the flowers of sleep
That nod in the heavy noon,
Ere the brown shades eastward creep
To a drowsy and dreamful tune—
These are the flowers of sleep.

Love’s lilies are passion-pale,
But these on the sun-kissed flood
Of the corn, that rolls breast deep,
Burn redder than drops of blood
On a dead king’s golden mail.

Heart’s dearest, I would that we
These blooms of forgetfulness
Might bind on our brows, and steep
Our love in Lethe ere less
Grow its flame with thee or me.

I. THE LION

The Lion is a kingly beast.
He likes a Hindu for a feast.
And if no Hindu he can get,
The lion-family is upset.

He cuffs his wife and bites her ears
Till she is nearly moved to tears.
Then some explorer finds the den
And all is family peace again.


II. AN EXPLANATION OF THE GRASSHOPPER

The Grasshopper, the grasshopper,
I will explain to you:—
He is the Brownies' racehorse,
The fairies' Kangaroo.

What wonder this?--we ask the lympid well,
O earth! of thee--and from thy solemn womb
What yieldest thou?--is there life in the abyss--
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
Rome--Greece!--Oh, come!--Behold--behold! for this!
Our living world--the old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon house--its silent halls once more
Opes the broad portico!--Oh, haste and fill
Again those halls with life!--Oh, pour along

Pois preyatz me, senhor,
qu'eu chan, eu chantarai;
e can cuit chantar, plor
a l'ora c'o essai.
Greu veiretz chantador
be chan, si mal li vai.
Vai me doncs mal d'amor?
Ans mels que no fetz mai!
E doncs, per que m'esmai?

Gran ben e gran onor
conosc que Deus me fai,
qu'eu am la belazor
et ilh me, qu'eu o sai.
Mas eu sui sai, alhor,
e no sai com l'estai!
So m'auci de dolor,
car ochaizo non ai
de soven venir lai.

Amors, e que.m farai?
Si garrai ja ab te?

1

I move my hand over
slopes, falls, lumps of sight,
Lashes barely able to be touched,
Lips that give way so easily
it's a shock to feel underneath them

The bones smile.

Muffled a little, barely cloaked,
Zygoma, maxillary, turbinate.

2

I put my hand
On the side of your face,
You lean your head a little
Into my hand--and so,
I know you're a dormouse
Taken up in winter sleep,
A lonely, stunned weight.

3

A cheekbone,

The lump of coal my parents teased
I'd find in my Christmas stocking
turned out each year to be an orange,
for I was their sunshine.

Now I have one C. gave me,
a dense node of sleeping fire.
I keep it where I read and write.
"You're on chummy terms with dread,"

it reminds me. "You kiss ambivalence
on both cheeks. But if you close your
heart to me ever I'll wreathe you in flames
and convert you to energy."

I don't know what C. meant me to mind
by her gift, but the sun returns

Remember midsummer: the fragrance of box, of white
roses
And of phlox. And upon a honeysuckle branch
Three snails hanging with infinite delicacy
-- Clinging like tendril, flake and thread, as self-tormented
And self-delighted as any ballerina,
just as in the orchard,
Near the apple trees, in the over-grown grasses
Drunken wasps clung to over-ripe pears
Which had fallen: swollen and disfigured.
For now it is wholly autumn: in the late
Afternoon as I walked toward the ridge where the hills

Poem Faithful to your commands, o consciousness, o

Beating wings, I studied

the roses and the muses of reality,

the deceptions and the deceptive elation of the redness of the growing morning,

and all the greened and thomed variety of the vines of error, which begin by promising

Everything and more than everything, and then suddenly,

At the height of noon seem to rise to the peak or dune-like moon of no return

So that everything is or seems to have become nothing, or of no genuine importance: