Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,

When we might make with happy heart
This world a paradise,
With bombs we blast brave men apart,
With napalm carbonize.
Where we might till the sunny soil,
And sing for joy of life,
We spend our treasure and our toil
In bloody strife.

The fields of wheat are sheening gold,
The flocks have silver fleece;
The signs are sweetly manifold
Of plenty, praise and peace.
Yet see! The sky is like a cowl
Where grimy toilers bore
The shards of steel that feed the foul

'Tis midnight: the sky is with clouds overcast;
The forest-trees bend in the loud-rushing blast;
The rain strongly beats on these time-hallow'd spires;
The lightning pours swiftly its blue-pointed fires;
Triumphant the tempest-fiend rides in the dark,
And howls round the old abbey-walls of St. Mark!

The thunder, whose roaring the trav'ller appals,
Seems as if with the ground it would level the walls:
But in vain pours the storm-king this horrible rout;
The uproar within drowns the uproar without;

I tore this weed from the rank, dark soil
Where it grew in the monkish time,
I trimmed it close and set it again
In a border of modern rhyme.

I

Long years ago, when the Devil was loose
And faith was sorely tried,
Three monks of Basle went out to walk
In the quiet eventide.

A breeze as pure as the breath of Heaven
Blew fresh through the cloister-shades,
A sky as glad as the smile of Heaven
Blushed rose o'er the minster-glades.

But scorning the lures of summer and sense,

Said he: "I'll dive deep in the Past,
And write a book of direful days
When summer skies were overcast
With smoke of humble hearths ablaze;
When War was rampant in the land,
And poor folk cowered in the night,
While ruin gaped on every hand -
of ravishing and wrath I'll write."

Ten years he toiled to write his book,
Yet he was happy all the while;
The world he willingly forsook
T live alone in hermit style.
In garden sanctuaried sweet,
Full favoured by the steadfast sun,
plunged in the Past, a life complete

We walked together in the dusk
To watch the tower grow dimly white,
And saw it lift against the sky
Its flower of amber light.

You talked of half a hundred things,
I kept each little word you said;
And when at last the hour was full,
I saw the light turn red.

You did not know the time had come,
You did not see the sudden flower,
Nor know that in my heart Love's birth
Was reckoned from that hour.

Among the hills a meteorite
Lies huge; and moss has overgrown,
And wind and rain with touches light
Made soft, the contours of the stone.

Thus easily can Earth digest
A cinder of sidereal fire,
And make her translunary guest
The native of an English shire.

Nor is it strange these wanderers
Find in her lap their fitting place,
For every particle that's hers
Came at the first from outer space.

All that is Earth has once been sky;
Down from the sun of old she came,
Or from some star that travelled by

Goaded and harassed in the factory
That tears our life up into bits of days
Ticked off upon a clock which never stays,
Shredding our portion of Eternity,
We break away at last, and steal the key
Which hides a world empty of hours; ways
Of space unroll, and Heaven overlays
The leafy, sun-lit earth of Fantasy.
Beyond the ilex shadow glares the sun,
Scorching against the blue flame of the sky.
Brown lily-pads lie heavy and supine
Within a granite basin, under one
The bronze-gold glimmer of a carp; and I

is a system of posture for wood.
A way of not falling down
for twigs that happens
to benefit birds. I don't know.
I'm staring at a tree,
at yellow leaves
threshed by wind and want you
reading this to be staring
at the same tree. I could
cut it down and laminate it
or ask you to live with me
on the stairs with the window
keeping an eye on the maple
but I think your real life
would miss you. The story
here is that all morning
I've thought of the statement
that art is about loneliness

        & nbsp; Here, above,
cracks in the buldings are filled with battered moonlight.
The whole shadow of Man is only as big as his hat.
It lies at his feet like a circle for a doll to stand on,
and he makes an inverted pin, the point magnetized to the moon.
He does not see the moon; he observes only her vast properties,
feeling the queer light on his hands, neither warm nor cold,
of a temperature impossible to records in thermometers.