The Door of Death

The Door of Death is made of gold,
That mortal eyes cannot behold;
But when the mortal eyes are clos'd,
And cold and pale the limbs repos'd,
The soul awakes; and, wond'ring, sees
In her mild hand the golden keys . . .

67

Cold and still did the forest loom,
As groaning I strayed thro' the midnight gloom.
I woke up the trees in unmannerly fashion,
They only nodded their heads in compassion.

44

True friendship—true love—the philosopher's stone—
Good people who prize all the three I have known:
And I prized, and have sought them since manhood began,
But I have not yet found them—do all that I can.

33

So fair is the world, and so blue the sky,
The airs breathe so balmy and tenderly,
On the meadows the flowers with open eye
Sparkle and gleam where the dewdrops lie,
And men are exulting as I pass by.
But I would lie in the grave's strait bed
And nestle close to a love that is dead.

32

The violets of her eyes, the rose
That on her cheek so softly glows,
The lilies her white hands disclose—
These bloom as sweetly as before,
But the heart is rotten to the core.

15

Upon my dearest's pretty eyne
I make the fairest canzoni;
Upon my dearest's mouth so fine
I make the best terza rima;
Upon my dearest's cheek divine
I make the noblest stanze.
And I'd pen her a sonnet, and not a bad one,
On her little heart—if she only had one.

3

The rose and the lily, the dove and the sun,
With a passionate love I once loved every one.
I love them no more—but I love the completest,
The neatest and meetest, discreetest and sweetest.
She herself is love's well-spring, and other there's none,
For she's rose and she's lily, she's dove and she's sun.

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