Inside Ayers Rock is lit
with paired fluorescent lights
on steel pillars supporting the ceiling
of haze-blue marquee cloth
high above the non-slip pavers.
Curving around the cafeteria
throughout vast inner space
is a Milky way of plastic chairs
in foursomes around tables
all the way to the truck drivers' enclave.
Dusted coolabah trees grow to the ceiling,
TVs talk in gassy colours, and
round the walls are Outback shop fronts:
the Beehive Bookshop for brochures,
Casual Clobber, the bottled Country Kitchen

Mary sat in the corner dreaming,
Dim was the room and low,
While in the dusk, the saw went screaming
To and fro.

Jesus and Joseph toiled together,
Mary was watching them,
Thinking of kings in the wintry weather
At Bethlehem.

Mary sat in the corner thinking,
Jesus had grown a man;
One by one her hopes were sinking
As the years ran.

Jesus and Joseph toiled together,
Mary's thoughts were far--
Angels sang in the wintry weather
Under a star.

Mary sat in the corner weeping,

I do not think of you lying in the wet clay
Of a Monaghan graveyard; I see
You walking down a lane among the poplars
On your way to the station, or happily

Going to second Mass on a summer Sunday -
You meet me and you say:
'Don't forget to see about the cattle - '
Among your earthiest words the angels stray.

And I think of you walking along a headland
Of green oats in June,
So full of repose, so rich with life -
And I see us meeting at the end of a town

On a fair day by accident, after

First, the self. Then, the observing self.
The self that acts and the self that watches. This
The starting point, the place where the mind begins,
Whether the mind of an individual or
The mind of a species. When I was a boy
I struggled to understand. For if I know
The self that watches, another watching self
Must see the watcher, then another watching that,
Another and another, and where does it end?
So my mother sent me to the barber shop,
My first time, to get my hair "cut for a part"
(Instead of the dutch boy she'd always given me),

People sit numbly at the counter
waiting for breakfast or service.
Today it's Hartford, Connecticut
more than twenty-five years after
the last death of Wallace Stevens.
I have come in out of the cold
and wind of a Sunday morning
of early March, and I seem to be
crying, but I'm only freezing
and unpeeled. The waitress brings
me hot tea in a cracked cup,
and soon it's all over my paper,
and so she refills it. I read
slowly in The New York Times
that poems are dying in Iowa,
Missoula, on the outskirts of Reno,

50

I haven't told my garden yet—
Lest that should conquer me.
I haven't quite the strength now
To break it to the Bee—

I will not name it in the street
For shops would stare at me—
That one so shy—so ignorant
Should have the face to die.

The hillsides must not know it—
Where I have rambled so—
Nor tell the loving forests
The day that I shall go—

Nor lisp it at the table—
Nor heedless by the way
Hint that within the Riddle
One will walk today—

It's a jazz affair, drum crashes and coronet razzes.
The trombone pony neighs and the tuba jackass snorts.
The banjo tickles and titters too awful.
The chippies talk about the funnies in the papers.
The cartoonists weep in their beer.
Shop riveters talk with their feet
To the feet of floozies under the tables.
A quartet of white hopes mourn with interspersed snickers:
"I got the blues.
I got the blues.
I got the blues."
And . . . as we said earlier:
The cartoonists weep in their beer.

The Government -- I heard about the Government and
I went out to find it. I said I would look closely at
it when I saw it.
Then I saw a policeman dragging a drunken man to
the callaboose. It was the Government in action.
I saw a ward alderman slip into an office one morning
and talk with a judge. Later in the day the judge
dismissed a case against a pickpocket who was a
live ward worker for the alderman. Again I saw
this was the Government, doing things.
I saw militiamen level their rifles at a crowd of

On Echols Street in Sixty Three
There was some 'painting' done,
And those who did that painting
Said it was a lot of fun.

For Gerry, it was more like 'work: '
To paint walls in her house.
Her husband joined to help her,
For, if not, he'd be a 'louse.'

Two friends on Echols Street then learned
That Gerry had a wall:
So big.... and clean.... and empty,
But, no art to hang at all.

They felt, 'in her condition, '
She could not go shopping much...
For paintings, pictures, ornaments:

LYDIA.

Now twenty springs had cloth'd the Park with green,
Since Lydia knew the blossom of fifteen;
No lovers now her morning hours molest,
And catch her at her toilet half undrest.
The thund'ring knocker wakes the street no more,
Nor chairs, nor coaches, crowd the silent door;
Now at the window all her mornings pass,
Or at the dumb devotion of her glass:
Reclin'd upon her arm she pensive sate,
And curs'd th' inconstancy of man too late.
"O youth! O spring of life, for ever lost!