sea

Leave him now quiet by the way
To rest apart.
I know what draws him to the dust alway
And churns him in the builder's lime:
He has the fright of time.

I heard it knocking in his breast
A minute since;
His human eyes did wince,
He stubborned like the massive slaughter beast
And as a thing o'erwhelmed with sound
Stood bolted to the ground.

Leave him, for rest alone can cure—
If cure there be—
This waif upon the sea.
He is of those who slanted the great door

Leaning into the afternoons I cast my sad nets
towards your oceanic eyes.

There in the highest blaze my solitude lengthens and flames,
its arms turning like a drowning man's.

I send out red signals across your absent eyes
that smell like the sea or the beach by a lighthouse.

You keep only darkness, my distant female,
from your regard sometimes the coast of dread emerges.

Leaning into the afternoons I fling my sad nets
to that sea that is thrashed by your oceanic eyes.

Under the rose-tree's dancing shade
There stands a little ivory girl,
Pulling the leaves of pink and pearl
With pale green nails of polished jade.

The red leaves fall upon the mould,
The white leaves flutter, one by one,
Down to a blue bowl where the sun,
Like a great dragon, writhes in gold.

The white leaves float upon the air,
The red leaves flutter idly down,
Some fall upon her yellow gown,
And some upon her raven hair.

She takes an amber lute and sings,
And as she sings a silver crane

It is done!
Clang of bell and roar of gun
Send the tidings up and down.
How the belfries rock and reel!
How the great guns, peal on peal,
Fling the joy from town to town!

Ring, O bells!
Every stroke exulting tells
Of the burial hour of crime.
Loud and long, that all may hear,
Ring for every listening ear
Of Eternity and Time!

Let us kneel:
God's own voice is in that peal,
And this spot is holy ground.
Lord, forgive us! What are we
That our eyes this glory see,

What would I choose to see when I
To this bright earth shall bid good-bye?
When fades forever from my sight
The world I've loved with long delight?
What would I pray to look on last,
When Death shall draw the Curtain fast?
II
I've loved the farewell of the Sun,
Low-lapsing after work well done;
Or leaping from a sea forlorn,
Gold-glad to greet a day new born. . . .
Shall I elect to round my dream
The Sun I hail as Lord Supreme?
III
Ah no! Of Heaven's shining host,
It is the Moon I love the most;

The first flower of the spring is not so fair
Or bright, as one the ripe midsummer brings.
The first faint note the forest warbler sings
Is not as rich with feeling, or so rare
As when, full master of his art, the air
Drowns in the liquid sea of song he flings
Like silver spray from beak, and breast, and wings.
The artist's earliest effort wrought with care,
The bard's first ballad, written in his tears,
Set by his later toil seems poor and tame.
And into nothing dwindles at the test.

(After Rilke)


The city floats no longer like a bait
To hook the nimble darting summer days.
The glazed and brittle palaces pulsate and radiate
And glitter. Summer's garden sways,
A heap of marionettes hanging down and dangled,
Leaves tired, torn, turned upside down and strangled:
Until from forest depths, from bony leafless trees
A will wakens: the admiral, lolling long at ease,
Has been commanded, overnight -- suddenly --:
In the first dawn, all galleys put to sea!

Last night my soul cried, “O exalted sphere of Heaven, you hang indeed inverted, with flames in your belly.
“Without sin and crime, eternally revolving upon your body in its complaining is the indigo of mourning;
“Now happy, now unhappy, like Abraham in the fire; at once king and beggar like Ebrahim-e Adham.
“In your form you are terrifying, yet your state is full of anguish: you turn round like a millstone and writhe like a snake.”
Heaven the blessed replied, “How should I not fear that one who makes the Paradise of the world as Hell?

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?

I know that the day will come
when my sight of this earth shall be lost,
and life will take its leave in silence,
drawing the last curtain over my eyes.

Yet stars will watch at night,
and morning rise as before,
and hours heave like sea waves casting up pleasures and pains.

When I think of this end of my moments,
the barrier of the moments breaks
and I see by the light of death
thy world with its careless treasures.
Rare is its lowliest seat,
rare is its meanest of lives.