Sleep

I

slowly the ponderous doors of lead imponderous
pushed by a wedging force unthinking opened
how like a cloud I floated down the dim green air
unthinking of the soft violence of odorous winds
the falling plaint of hidden violins
and eyes
following

II

doors unto doors unfolded downward
and I was like unto a sailing ship
stern downward sailing on a dim green sea
unmindful of the rich push of flowery winds
the melting voices of far seraphims
and arms
following

III


Sky Song

The flower of the Alps told the seashell: "You're shining"
The seashell told the sea: "You echo"
The sea told the boat: "You're shuddering"
The boat told the fire: "You're glowing brightly"
The fire told me: "I glow less brightly than her eyes"
The boat told me: "I shudder less than your heart does when she appears"
The sea told me: "I echo less than her name does in your love-making"
The seashell told me: "I shine less brightly than the phosphorus of desire in your hollow dream"
The flower of the Alps told me: "She's beautiful"


Skunk Hour

(for Elizabeth Bishop)

Nautilus Island's hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son's a bishop. Her farmer is first selectman in our village;
she's in her dotage.

Thirsting for
the hierarchic privacy
of Queen Victoria's century
she buys up all
the eyesores facing her shore,
and lets them fall.

The season's ill--
we've lost our summer millionaire,
who seemed to leap from an L. L. Bean


Six Significant Landscapes

I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

III
I measure myself


Siva

Mors Janua Vitae.


I am the God of the sensuous fire
That moulds all Nature in forms divine;
The symbols of death and of man’s desire,
The springs of change in the world, are mine;
The organs of birth and the circlet of bones,
And the light loves carved on the temple stones.

I am the lord of delights and pain,
Of the pest that killeth, of fruitful joys;
I rule the currents of heart and vein;
A touch gives passion, a look destroys;
In the heat and cold of my lightest breath


Sister Saint Luke

She lived shut in by flowers and trees
And shade of gentle bigotries.
On this side lay the trackless sea,
On that the great world's mystery;
But all unseen and all unguessed
They could not break upon her rest.
The world's far splendors gleamed and flashed,
Afar the wild seas foamed and dashed;
But in her small, dull Paradise,
Safe housed from rapture or surprise,
Nor day nor night had power to fright
The peace of God that filled her eyes.


Sirmio

Sirmio, you jewel of all peninsulas
and all the islands of the crystal lakes
and the great oceans Neptune circles,
how delightedly, how gladly, I return,
hardly believing myself I’ve safely left
Thynia and those Black Sea shores behind.

What is better than to be free from care
when the mind throws off its load and, at last,
from foreign journeys, we reach our own home,
sink back to rest on the one bed we longed for?
This is reward enough for all our efforts.
You, welcome sight, O lovely Sirmio, be happy,


Shore Twilight

Lo, find we here when the ripe day is o'er
A kingdom of enchantment by the shore!

Behold the sky with early stars ashine,
A jewelled flagon brimmed with purple wine.

Like a dumb poet's soul the troubled sea
Moans of its joy and sorrow wordlessly;

But the glad winds that utter naught of grief
Make silver speech by headland and by reef.

Saving for such there is no voice or call
To mar the gracious silence over all­

Silence so tender 'tis a sweet caress,


Sigh No More

Sigh no more, ladies, sigh no more,
Men were deceivers ever;
One foot in sea, and one on shore,
To one thing constant never.
Then sigh not so,
But let them go,
And be you blith and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.

Sing no more ditties, sing no mo
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leavy.
Then sigh not so,
But let them go,
And be you blith and bonny,
Converting all your sounds of woe


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