Every morning the sad girl brings her three sheep
and two lambs laggardly to the top of the valley,
past my stone hut and onto the mountain to graze.
She turned twelve last year and it was legal
for the father to take her out of school. She knows
her life is over. The sadness makes her fine,
makes me happy. Her old red sweater makes
the whole valley ring, makes my solitude gleam.
I watch from hiding for her sake. Knowing I am
there is hard on her, but it is the focus of her days.
She always looks down or looks away as she passes

Straight through my heart this fact to-day,
By Truth’s own hand is driven:
God never takes one thing away,
But something else is given.

I did not know in earlier years,
This law of love and kindness;
I only mourned through bitter tears
My loss, in sorrow’s blindness.

But, ever following each regret
O’er some departed treasure,
My sad repining heart was met
With unexpected pleasure.

I thought is only happened so;
But time this truth taught me –
No least thing from my life can go,

Hers was a lonely, shadowed lot;
Or so the unperceiving thought,
Who looked no deeper than her face,
Devoid of chiselled lines of grace –
No farther than her humble grate,
And wondered how she bore her fate.

Yet she was neither lone nor sad;
So much of love her spirit had,
She found an ever-flowing spring
Of happiness in everything.

So near to her was Nature’s heart
It seemed a very living part
Of her own self; and bud and blade,
And heat and cold, and sun and shade,
And dawn and sunset, Spring and Fall,

It seems these poets have nothing
up their ample sleeves
they turn over so many cards so early,
telling us before the first line
whether it is wet or dry,
night or day, the season the man is standing in,
even how much he has had to drink.

Maybe it is autumn and he is looking at a sparrow.
Maybe it is snowing on a town with a beautiful name.

"Viewing Peonies at the Temple of Good Fortune
on a Cloudy Afternoon" is one of Sun Tung Po's.
"Dipping Water from the River and Simmering Tea"
is another one, or just

Love, you have led me to the strand,
Here, where the stilly, sunset sea,
Ever receding silently,
Lays bare a shining stretch of sand;

Which, as we tread, in waving line,
Sinks softly 'neath our moving feet;
And looking down our glances meet,
Two mirrored figures--yours and mine.

To-night you found me sad, alone,
Amid the noisy, empty books
And drew me forth with those sweet looks,
And gentle ways which are your own.

The glory of the setting sun
Has sway'd and softened all my mood;
This wayward heart you understood,

NOTE.—Rahel Robert and Varnhagen von Ense were married, after many protestations on her part, in 1814. The marriage—so far as he was concerned at any rate—appears to have been satisfactory.


Now you have read them all; or if not all,
As many as in all conscience I should fancy
To be enough. There are no more of them—
Or none to burn your sleep, or to bring dreams
Of devils. If these are not sufficient, surely
You are a strange young man. I might live on
Alone, and for another forty years,
Or not quite forty,—are you happier now?—

All my life's short years had been stern and sterile --
   I stood like one whom the blasts blow back --
As with shipmen whirled through the straits of Peril,
   So fierce foes menaced my every track.

But I steeled my soul to a strong endeavour,
   I bared my brow as the sharp strokes fell,
And I said to my heart -- "Hope on! Hope ever:
   Have Courage -- Courage, and all is well."

Then, bright as the blood in my heart's rich chalice,

There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
--For if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.

I.

Pale moon! thy mild benignant light
May glad some other captive's sight;
Bright'ning the gloomy objects nigh,
Thy beams a lenient thought supply:
But, O, pale moon! what ray of thine
Can soothe a misery like mine,
Chase the sad image of the past,
And woes for ever doom'd to last?


II.

Where are the years with pleasure gay?
How bright their course! how short their stay!
Where are the crowns, that round my head
A double glory vainly spread?
Where are the beauties wont to move,

"Throughout these infinite orbs of mingling light,
Of which yon earth is one, is wide diffus'd
A Spirit of activity and life,
That knows no term, cessation, or decay;
That fades not when the lamp of earthly life,
Extinguish'd in the dampness of the grave,
Awhile there slumbers, more than when the babe
In the dim newness of its being feels
The impulses of sublunary things,
And all is wonder to unpractis'd sense:
But, active, steadfast and eternal, still
Guides the fierce whirlwind, in the tempest roars,