rose

You've heard of King Henry II
And the story of how he got fond
Of one of his customer's daughters,
A lass called the " Fair Rosamond."

'Twere a lovely romance while it lasted,
The course of true love ran serene,
Till some nosey-parkering varlet
Started carrying tales to the Queen.

The Queen were at first incred-u-lous.
She said "What a tale to invent!"
The King would not stoop to such baseness
At any rate, not during Lent."

But one morning she picked up a doublet

I wish I were where Helen lies;
Night and day on me she cries;
Oh that I were where Helen lies
On fair Kirconnell lea!

Curst be the heart that thought the thought,
And curst the hand that fired the shot,
When in my arms burd Helen dropt,
And died to succour me!

O think na but my heart was sair
When my Love dropt down and spak nae mair!
I laid her down wi' meikle care
On fair Kirconnell lea.

As I went down the water-side,

My Lord Tomnoddy got up one day;
It was half after two,
He had nothing to do,
So his Lordship rang for his cabriolet.

Tiger Tim
Was clean of limb,
His boots were polish'd, his jacket was trim
With a very smart tie in his smart cravat,
And a smart cockade on the top of his hat;
Tallest of boys, or shortest of men,
He stood in his stockings just four foot ten
And he ask'd, as he held the door on the swing,
'Pray, did your Lordship please to ring?'

My Lord Tomnoddy he raised his head,

He who binds to himself a joy
Does the winged life destroy;
But he who kisses the joy as it flies
Lives in eternity's sun rise.

Here, where precipitate Spring with one light bound
Into hot Summer's lusty arms expires;
And where go forth at morn, at eve, at night,
Soft airs, that want the lute to play with them,
And softer sighs, that know not what they want;
Under a wall, beneath an orange-tree
Whose tallest flowers could tell the lowlier ones
Of sights in Fiesole right up above,
While I was gazing a few paces off
At what they seemed to show me with their nods,
Their frequent whispers and their pointing shoots,

Orpheus, the night is full of tears and cries,
And hardly for the storm and ruin shed
Can even thine eyes be certain of her head
Who never passed out of thy spirit's eyes,
But stood and shone before them in such wise
As when with love her lips and hands were fed,
And with mute mouth out of the dusty dead
Strove to make answer when thou bad'st her rise.

Yet viper-stricken must her lifeblood feel
The fang that stung her sleeping, the foul germ
Even when she wakes of hell's most poisonous worm,

A Baby's feet, like sea-shells pink,
Might tempt, should heaven see meet,
An angel's lips to kiss, we think,
A baby's feet.

Like rose-hued sea-flowers toward the heat
They stretch and spread and wink
Their ten soft buds that part and meet.

No flower-bells that expand and shrink
Gleam half so heavenly sweet
As shine on life's untrodden brink
A baby's feet.

II.

A baby's hands, like rosebuds furled
Whence yet no leaf expands,
Ope if you touch, though close upcurled,

Between the mountain and the sea
I've made a happy landing;
And here a peace has come to me
That passeth understanding;
A shining faith and purity
Beyond demanding.
II
With palm below and pine above,
Where wings of gulls are gleaming;
By orange tree and olive grove,
From walls of airy seeming,
My roses beg me not to rove,
But linger dreaming.
III
So I'm in love with life again,
And would with joy dissever
My days from ways of worldly men,

Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,

EYES always open eyes
onions we were all found under
eyes never in a hurry wait for me
blink at the smash preserve the negative hold on a minute
(we are taking actuality as a section through sentiment at that point)

MICROPHONES tearing the remote controls controlling tears
twisting the tender cables urgent flowers suffer so
in evening close the door you can't come in
deface the setting sun when they is done
(three guggly waters play at hide and seek the moon what time is it)