Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each other's eyes. . .

She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.

'A lovely night,' he says, 'the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!'

She pays no heed, nor even turns her head:
He slides his arm around her waist instead.

'Why don't we do a sketch together--

He thinks her little feet should pass
Where dandelions star thickly grass;
Her hands should lift in sunlit air
Sea-wind should tangle up her hair.
Green leaves, he says, have never heard
A sweeter ragtime mockingbird,
Nor has the moon-man ever seen,
Or man in the spotlight, leering green,
Such a beguiling, smiling queen.

Her eyes, he says, are stars at dusk,
Her mouth as sweet as red-rose musk;
And when she dances his young heart swells
With flutes and viols and silver bells;
His brain is dizzy, his senses swim,

When she came out, that white little Russian dancer,
With her bright hair, and her eyes, so young, so young,
He suddenly lost his leader, and all the players,
And only heard an immortal music sung,--

Of dryads flashing in the green woods of April,
On cobwebs trembing over the deep, wet grass:
Fleeing their shadows with laughter, with hands uplifted,
Through the whirled sinister sun he saw them pass,--

Lovely immortals gone, yet existing somewhere,
Still somewhere laughing in woods of immortal green,

After the movie, when the lights come up,
He takes her powdered hand behind the wings;
She, all in yellow, like a buttercup,
Lifts her white face, yearns up to him, and clings;
And with a silent, gliding step they move
Over the footlights, in familiar glare,
Panther-like in the Tango whirl of love,
He fawning close on her with idiot stare.
Swiftly they cross the stage. O lyric ease!
The drunken music follows the sure feet,
The swaying elbows, intergliding knees,
Moving with slow precision on the beat.

SILLIANDER and PATCH.

THOU so many favours hast receiv'd,
Wondrous to tell, and hard to be believ'd,
Oh ! H---- D, to my lays attention lend,
Hear how two lovers boastingly contend ;
Like thee successful, such their bloomy youth,
Renown'd alike for gallantry and truth.

St. JAMES's bell had toll'd some wretches in,
(As tatter'd riding-hoods alone could sin)
The happier sinners now their charms put out,
And to their manteaus their complexions suit:
The opera queens had finish'd half their faces,

The tube lift mounts,
sap in a stem,
And blossoms its load,
a black, untidy rose.

The fountain of the escalator
curls at the crest,
breaks and scatters
A winnow of men,
a sickle of dark spray.


Submitted by Stephen Fryer

Spanish

Yo hacía una divina labor, sobre la roca
Creciente del Orgullo. De la vida lejana,
Algún pétalo vívido me voló en la mañana,
Algún beso en la noche. Tenaz como una loca,
Sequía mi divina labor sobre la roca.

Cuando tu voz que funde como sacra campana
En la nota celeste la vibración humana,
Tendió su lazo do oro al borde de tu boca;

—Maravilloso nido del vértigo, tu boca!
Dos pétalos de rosa abrochando un abismo…—

Labor, labor de gloria, dolorosa y liviana;

The petals fall in the fountain,
the orange-coloured rose-leaves,
Their ochre clings to the stone.

SILLIANDER and PATCH.
THOU so many favours hast receiv'd,
Wondrous to tell, and hard to be believ'd,
Oh ! H---- D, to my lays attention lend,
Hear how two lovers boastingly contend ;
Like thee successful, such their bloomy youth,
Renown'd alike for gallantry and truth.

St. JAMES's bell had toll'd some wretches in,
(As tatter'd riding-hoods alone could sin)
The happier sinners now their charms put out,
And to their manteaus their complexions suit :
The opera queens had finish'd half their faces,

SMILINDA and CARDELIA.CARDELIA.
THE bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room ?
Rise, pensive nymph ! the tallier stays for you.

SMILINDA.
Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --

CARDELIA.
Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.