rose

But all this while, where's he whose golden rays
Drives night away and beautifies our days?
Where's he whose goodly face doth warm and heal,
And show us what the darksome nights conceal?
Where's he that thaws our ice, drives cold away?
Let's have him, or we care not for the day.
Thus 'tis with who partakers are of grace,
There's nought to them like their Redeemer's face.

Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England. I have
adopted the metre of Mr. Lewis's Alonzo and Imogene--a poem deservedly
popular.


I.

Who is she, the poor Maniac, whose wildly-fix'd eyes
Seem a heart overcharged to express?
She weeps not, yet often and deeply she sighs,
She never complains, but her silence implies
The composure of settled distress.


II.

Passer-by,
To love is to find your own soul
Through the soul of the beloved one.
When the beloved one withdraws itself from your soul
Then you have lost your soul.
It is written: "I have a friend,
But my sorrow has no friend."
Hence my long years of solitude at the home of my father,
Trying to get myself back,
And to turn my sorrow into a supremer self.
But there was my father with his sorrows,
Sitting under the cedar tree,
A picture that sank into my heart at last
Bringing infinite repose.

Who is this that sits by the way, by the wild wayside,
In a rent stained raiment, the robe of a cast-off bride,
In the dust, in the rainfall sitting, with soiled feet bare,
With the night for a garment upon her, with torn wet hair?
She is fairer of face than the daughters of men, and her eyes,
Worn through with her tears, are deep as the depth of skies.

This is she for whose sake being fallen, for whose abject sake,
Earth groans in the blackness of darkness, and men's hearts break.

Mad March, with the wind in his wings wide-spread,
Leaps from heaven, and the deep dawn's arch
Hails re-risen again from the dead
Mad March.

Soft small flames on rowan and larch
Break forth as laughter on lips that said
Nought till the pulse in them beat love's march.

But the heartbeat now in the lips rose-red
Speaks life to the world, and the winds that parch
Bring April forth as a bride to wed
Mad March.

'Twas after dread Pultowa's day,
When fortune left the royal Swede -
Around a slaughtered army lay,
No more to combat and to bleed.
The power and glory of the war,
Faithless as their vain votaries, men,
Had passed to the triumphant Czar,
And Moscow’s walls were safe again -
Until a day more dark and drear,
And a more memorable year,
Should give to slaughter and to shame
A mightier host and haughtier name;
A greater wreck, a deeper fall,
A shock to one - a thunderbolt to all.

II

New York: You take a train that rips through versts.
It feels as if the trains were running over your ears.

For many hours the train flies along the banks
of the Hudson about two feet from the water. At the stops,
passengers run out, buy up bunches of celery,
and run back in, chewing the stalks as they go.

Bridges leap over the train with increasing frequency.

At each stop an additional story grows
onto the roofs. Finally houses with squares
and dots of windows rise up. No matter how far

That I should make much of myself and turn it on all sides,
thus casting colored shadows on thy radiance
---such is thy Maya.

Thou settest a barrier in thine own being
and then callest thy severed self in myriad notes.
This thy self-separation has taken body in me.

The poignant song is echoed through all the sky in many-coloued tears
and smiles, alarms and hopes; waves rise up and sink again,
dreams break and form.
In me is thy own defeat of self.

May is Mary's month, and I
Muse at that and wonder why:
Her feasts follow reason,
Dated due to season—

Candlemas, Lady Day;
But the Lady Month, May,
Why fasten that upon her,
With a feasting in her honour?

Is it only its being brighter
Than the most are must delight her?
Is it opportunest
And flowers finds soonest?

Ask of her, the mighty mother:
Her reply puts this other
Question: What is Spring?—
Growth in every thing—

Flesh and fleece, fur and feather,

There is May in books forever;
May will part from Spenser never;
May's in Milton, May's in Prior,
May's in Chaucer, Thomson, Dyer;
May's in all the Italian books:--
She has old and modern nooks,
Where she sleeps with nymphs and elves,
In happy places they call shelves,
And will rise and dress your rooms
With a drapery thick with blooms.
Come, ye rains, then if ye will,
May's at home, and with me still;
But come rather, thou, good weather,
And find us in the fields together.