Turn your head. Look. The light is turning yellow.
The river seems enriched thereby, not to say deepened.
Why this is, I'll never be able to tell you.

Or are Americans half in love with failure?
One used to say so, reading Fitzgerald, as it happened.
(That Viking Portable, all water spotted and yellow--

remember?) Or does mere distance lend a value
to things? --false, it may be, but the view is hardly cheapened.
Why this is, I'll never be able to tell you.

The smoke, those tiny cars, the whole urban millieu--

HONEY, child, honey, child, whither are you going?
Would you cast your jewels all to the breezes blowing?
Would you leave the mother who on golden grain has fed you?
Would you grieve the lover who is riding forth to wed you?


Mother mine, to the wild forest I am going,
Where upon the champa boughs the champa buds are blowing;
To the köil-haunted river-isles where lotus lilies glisten,
The voices of the fairy folk are calling me: O listen!


Honey, child, honey, child, the world is full of pleasure,

This is a place on the way after the distances
can no longer be kept straight here in this dark corner
of the barn a mound of wheels has convened along
raveling courses to stop in a single moment
and lie down as still as the chariots of the Pharaohs
some in pairs that rolled as one over the same roads
to the end and never touched each other until they
arrived here some that broke by themselves and were left
until they could be repaired some that went only
to occasions before my time and some that have spun

Below are eleven Buson haiku
beginning with the phrase
'The short night--'


The short night--
on the hairy caterpillar
beads of dew.

The short night--
patrolmen
washing in the river.

The short night--
bubbles of crab froth
among the river reeds.

The short night--
a broom thrown away
on the beach.

The short night--
the Oi River
has sunk two feet.

The short night--
on the outskirts of the village
a small shop opening.

The short night--
broken, in the shallows,

It takes a lot of a person's life
To be French, or English, or American
Or Italian. And to be at any age. To live at any certain time.
The Polish-born resident of Manhattan is not merely a representative of
general humanity
And neither is this Sicilian fisherman stringing his bait
Or to be any gender, born where or when
Betty holding a big plate
Karen crossing her post-World War Two legs
And smiling across the table
These three Italian boys age about twenty gesturing and talking
And laughing after they get off the train

I THOUGHT of Thee, my partner and my guide,
   As being pass'd away.--Vain sympathies!
   For, backward, Duddon! as I cast my eyes,
I see what was, and is, and will abide;
Still glides the Stream, and shall for ever glide;
   The Form remains, the Function never dies;
   While we, the brave, the mighty, and the wise,
We Men, who in our morn of youth defied
The elements, must vanish;--be it so!
   Enough, if something from our hands have power

O TWEED! a stranger, that with wand'ring feet
O'er hill and dale has journey'd many a mile,
(If so his weary thoughts he might beguile)
Delighted turns thy beauteous scenes to greet.
The waving branches that romantick bend
O'er thy tall banks, a soothing charm bestow;
The murmurs of thy wand'ring wave below
Seem to his ear the pity of a friend.
Delightful stream! tho' now along thy shore,
When spring returns in all her wonted pride,
The shepherd's distant pipe is heard no more,
Yet here with pensive peace could I abide,

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

EARTH has not anything to show more fair:
   Dull would he be of soul who could pass by
   A sight so touching in its majesty:
This City now doth like a garment wear
The beauty of the morning; silent, bare,
   Ships, towers, domes, theatres, and temples lie
   Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
   In his first splendour valley, rock, or hill;

Over the ocean of life’s commotion
We sail till the night comes on.
Sail and sail in a tiny boat,
Drifting wherever the billows go.
Out on the treacherous sea afloat,
Beat by the cruel winds that blow,
Hither and thither our boat is drawn,
Till the day dies out and the night comes on.

Over a meadow of light and shadow
We wander with weary feet,
Seeking a bauble men call “Fame, ”
Grasping the dead-sea fruit named “wealth, ”
Finding each but an empty name,
And the night – the night steals on by stealth,