Down from the purple mist of trees on the mountain,
lurching through forests of white spruce and cedar,
stumbling through tamarack swamps,
came the bull moose
to be stopped at last by a pole-fenced pasture.

Too tired to turn or, perhaps, aware
there was no place left to go, he stood with the cattle.
They, scenting the musk of death, seeing his great head
like the ritual mask of a blood god, moved to the other end
of the field, and waited.

The neighbours heard of it, and by afternoon
cars lined the road. The children teased him

I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.

Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.

How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty--

Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
--Till elevators drop us from our day . . .

I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;

I stood on the bridge at midnight,
As the clocks were striking the hour,
And the moon rose o'er the city,
Behind the dark church-tower.

I saw her bright reflection
In the watrers under me,
Like a golden goblet falling
And sinking into the sea.

And far in the hazy distance
Of that lovely night in June,
The blaze of the gleaming furnace
Gleamed redder than the moon.

Among the long, black rafters
The wavering shadows lay,
And the current that came from the ocean
Seemed to lift and bear them away.

Old Peter Grimes made fishing his employ,
His wife he cabin'd with him and his boy,
And seem'd that life laborious to enjoy:
To town came quiet Peter with his fish,
And had of all a civil word and wish.
He left his trade upon the sabbath-day,
And took young Peter in his hand to pray:
But soon the stubborn boy from care broke loose,
At first refused, then added his abuse:
His father's love he scorn'd, his power defied,
But being drunk, wept sorely when he died.

1. The voice ended, they saw his pale visage
Emerge from the darkness; his hand
On the rock of eternity unclasping
The Book of brass. Rage siez'd the strong

2. Rage, fury, intense indignation
In cataracts of fire blood & gall
In whirlwinds of sulphurous smoke:
And enormous forms of energy;
All the seven deadly sins of the soul
In living creations appear'd
In the flames of eternal fury.

3. Sund'ring, dark'ning, thund'ring!
Rent away with a terrible crash
Eternity roll'd wide apart
Wide asunder rolling

Does the Eagle know what is in the pit?
Or wilt thou go ask the Mole?
Can Wisdom be put in a silver rod?
Or Love in a golden bowl?

I

The daughters of the Seraphim led round their sunny flocks,
All but the youngest: she in paleness sought the secret air,
To fade away like morning beauty from her mortal day:
Down by the river of Adona her soft voice is heard,
And thus her gentle lamentation falls like morning dew:

'O life of this our spring! why fades the lotus of the water,

What did I think, a storm clutching a clarinet
and boarding a downtown bus, headed for lessons?
I had pieces to learn by heart, but at twelve

you think the heart and memory are different.
"'It's a poor sort of memory that only works
backwards,' the Queen remarked." Alice in Wonderland.

Although I knew the way music can fill a room,
even with loneliness, which is of course a kind
of company. I could swelter through an August

afternoon -- torpor rising from the river -- and listen
to Stan Getz and J. J. Johnson braid variations

GAMARRA is a dainty steed,
Strong, black, and of a noble breed,
Full of fire, and full of bone,
With all his line of fathers known;
Fine his nose, his nostrils thin,
But blown abroad by the pride within!
His mane is like a river flowing,
And his eyes like embers glowing
In the darkness of the night,
And his pace as swift as light.

Look,—how ’round his straining throat
Grace and shifting beauty float!
Sinewy strength is on his reins,
And the red blood gallops through his veins;

For George Anthell

Between them is the land of broken colors,
the land that makes a mock of him
with miles.
He rides, he rides,
he passes through the flat
chrome wheatfields
cut by the plough of the river makers.

The hills are aslant,
the clay torsos, the hills,
the clay has a red wound,
it gapes.
The white roots cry,
there is a mute susurrus in the dark:
poppies, poppies are you not
their pain?

With hoof on flint and flint
the black horse
rides: black wind, black
against fire.