Comes the broken flower -
Comes the cheated maid -
Though the tempest lower,
Rain and cloud will fade!
Take, O maid, these posies:
Though thy beauty rare
Shame the blushing roses,
They are passing fair!
Wear the flowers till they fade;
Happy be thy life, O maid!

O'er the season vernal,
Time may cast a shade;
Sunshine, if eternal,
Makes the roses fade:
Time may do his duty;
Let the thief alone -
Winter hath a beauty
That is all his own.
Fairest days are sun and shade:
Happy be thy life, O maid!

We live our lives of human passions,
cruelties, dreams, concepts,
crimes and the exercise of virtue
in and beside a world devoid
of our preoccupations, free
from apprehension--though affected,
certainly, by our actions. A world
parallel to our own though overlapping.
We call it "Nature"; only reluctantly
admitting ourselves to be "Nature" too.
Whenever we lose track of our own obsessions,
our self-concerns, because we drift for a minute,
an hour even, of pure (almost pure)
response to that insouciant life:

When the sea is as grey as her eyes
On these days for sure       &nb sp;the soft white
mist blown in from the ocean       &n bsp;the town dissolving
It all adds up       &nbsp ;her bare shoulders

Nakedness   &nbsp ;    rolling in from the sea
on winter afternoons - a fine rain
looking down on the sand       &nb sp;& shingle

By day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)

Of all the rides since the birth of time,
Told in story or sung in rhyme, -
On Apuleius' Golden Ass,
Or one-eyed Calendar's horse of brass,
Witch astride of a human back,
Islam's prophet on Al-Borak, -
The strangest ride that ever was sped
Was Ireson's, out from Marblehead!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Body of turkey, head of owl,
Wings a-droop like a rained-on fowl,
Feathered and ruffled in every part,
Skipper Ireson stood in the cart.

In twos and threes, they have not far to roam,
Crowds that thread eastward, gay of eyes;
Those seek no further than their quiet home,
Wives, walking westward, slow and wise.

Neither should I go fooling over clouds,
Following gleams unsafe, untrue,
And tiring after beauty through star-crowds,
Dared I go side by side with you;

Or be you in the gutter where you stand,
Pale rain-flawed phantom of the place,
With news of all the nations in your hand,
And all their sorrows in your face.

Southward with fleet of ice
Sailed the corsair Death;
Wild and gast blew the blast,
And the east-wind was his breath.
His lordly ships of ice
Glisten in the sun;
On each side, like pennons wide,
Flashing crystal streamlets run.
His sails of white sea-mist
Dripped with silver rain;
But where he passed there were cast
Leaden shadows o'er the main.

Eastward from Campobello
Sir Humphrey Gilbert sailed;
Three days or more seaward he bore,
Then, alas! the land-wind failed.

Of speckled eggs the birdie sings
And nests among the trees;
The sailor sings of ropes and things
In ships upon the seas.

The children sing in far Japan,
The children sing in Spain;
The organ with the organ man
Is singing in the rain.

New delights to our desire
The singers of the past can yield.
I lift mine eyes to hill and field,
And see in them your yet dumb lyre,
poets unborn and unrevealed.

Singers to come, what thoughts will start
To song? What words of yours be sent
Through man's soul, and with earth be blent?
These words of nature and the heart
Await you like an instrument.

Who knows what musical flocks of words
Upon these pine-tree tops will light,
And crown these towers in circling flight,
And cross these seas like summer birds,

When I’m asleep, dreaming and lulled and warm,—
They come, the homeless ones, the noiseless dead.
While the dim charging breakers of the storm
Bellow and drone and rumble overhead,
Out of the gloom they gather about my bed.
They whisper to my heart; their thoughts are mine.
‘Why are you here with all your watches ended?
From Ypres to Frise we sought you in the Line.’
In bitter safety I awake, unfriended;
And while the dawn begins with slashing rain
I think of the Battalion in the mud.
‘When are you going out to them again?