There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.

Not Iris in her pride and bravery
Adorns her arch with such variety;
Nor doth the Milk-white Way in frosty night
Appear so fair and beautiful in sight,
As do these fields and groves and sweetest bowers
Bestrewed and decked with parti-coloured flowers.
Along the bubbling brooks and silver glide,
That at the bottom doth in silence slide,
The water-flowers and lilies on the banks
Like blazing comets burgeon all in ranks;
Under the hawthorn and the poplar tree,
Where sacred Phoebe may delight to be,

In Memoriam: Robert Lowell

I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce. It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse¹s tail.

The islands haven't shifted since last summer,
even if I like to pretend they have--
drifting, in a dreamy sort of way,
a little north, a little south, or sidewise--
and that they¹re free within the blue frontiers of bay.

This month our favorite one is full of flowers:

I.

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:

Thistle and darnell and dock grew there,
And a bush, in the corner, of may,
On the orchard wall I used to sprawl
In the blazing heat of the day;

Half asleep and half awake,
While the birds went twittering by,
And nobody there my lone to share
But Nicholas Nye.

Nicholas Nye was lean and gray,
Lame of leg and old,
More than a score of donkey's years
He had been since he was foaled;
He munched the thistles, purple and spiked,
Would sometimes stoop and sigh,
And turn to his head, as if he said,

NEÆRA crowns me with a purple wreath
That she with her own dainty hands did twine;
Gold-hearted blossoms and blue buds in sheath,
Mingled with veined green leaves of the wild vine.
Then, bending down her bright head—ah, too nigh!—
She asks me for a song: the daylight dies:
The song is still unwritten: still I lie
Watching the purple twilight of her eyes.

I am her laureate; therefore heart of grace
I take to kiss her. Where was song like this?
Love is best sung of in a loveless place,

The man above was a murderer, the man below was a thief;
And I lay there in the bunk between, ailing beyond belief;
A weary armful of skin and bone, wasted with pain and grief.

My feet were froze, and the lifeless toes were purple and green and gray;
The little flesh that clung to my bones, you could punch it in holes like clay;
The skin on my gums was a sullen black, and slowly peeling away.

I was sure enough in a direful fix, and often I wondered why
They did not take the chance that was left and leave me alone to die,

766

My Faith is larger than the Hills—
So when the Hills decay—
My Faith must take the Purple Wheel
To show the Sun the way—

'Tis first He steps upon the Vane—
And then—upon the Hill—
And then abroad the World He go
To do His Golden Will—

And if His Yellow feet should miss—
The Bird would not arise—
The Flowers would slumber on their Stems—
No Bells have Paradise—

How dare I, therefore, stint a faith
On which so vast depends—
Lest Firmament should fail for me—
The Rivet in the Bands

My friend went to the piano; spun the stool
A little higher; left his pipe to cool;
Picked up a fat green volume from the chest;
And propped it open.
Whitely without rest,
His fingers swept the keys that flashed like swords,
. . . And to the brute drums of barbarian hordes,
Roaring and thunderous and weapon-bare,
An army stormed the bastions of the air!
Dreadful with banners, fire to slay and parch,
Marching together as the lightnings march,
And swift as storm-clouds. Brazen helms and cars

Och! the Coronation! what celebration
For emulation can with it compare?
When to Westminster the Royal Spinster,
And the Duke of Leinster, all in order did repair!
'Twas there you'd see the New Polishemen
Making a skrimmage at half after four,
And the Lords and Ladies, and the Miss O'Gradys,
All standing round before the Abbey door.

Their pillows scorning, that self-same morning
Themselves adorning, all by the candle light,
With roses and lilies, and daffy-down-dillies,
And gould, and jewels, and rich di'monds bright.