My well-beloved was stripped. Knowing my whim,
She wore her tinkling gems, but naught besides:
And showed such pride as, while her luck betides,
A sultan's favoured slave may show to him.

When it lets off its lively, crackling sound,
This blazing blend of metal crossed with stone,
Gives me an ecstasy I've only known
Where league of sound and luster can be found.

She let herself be loved: then, drowsy-eyed,
Smiled down from her high couch in languid ease.
My love was deep and gentle as the seas
And rose to her as to a cliff the tide.

A tortuous double iron track; a station here, a station there;
A locomotive, tender, tanks; a coach with stiff reclining chair;
Some postal cars, and baggage, too; a vestibule of patent make;
With buffers, duffers, switches, and the soughing automatic brake--
This is the Orient's novel pride, and Syria's gaudiest modern gem:
The railway scheme that is to ply 'twixt Jaffa and Jerusalem.

Beware, O sacred Mooley cow, the engine when you hear its bell;
Beware, O camel, when resounds the whistle's shrill, unholy swell;

The Jackdaw sat on the Cardinal's chair!
Bishop, and abbot, and prior were there;
Many a monk, and many a friar,
Many a knight, and many a squire,
With a great many more of lesser degree,--
In sooth a goodly company;
And they served the Lord Primate on bended knee.
Never, I ween,
Was a prouder seen,
Read of in books, or dreamt of in dreams,
Than the Cardinal Lord Archbishop of Rheims!

In and out
Through the motley rout,
That little Jackdaw kept hopping about;
Here and there
Like a dog in a fair,
Over comfits and cates,

See Selborne spreads her boldest beauties round
The varied valley, and the mountain ground,
Wildly majestic! what is all the pride
Of flats, with loads of ornament supply'd?
Unpleasing, tasteless, impotent expense,
Compar'd with nature's rude magnificence.
Arise, my stranger, to these wild scenes haste
The unfinish'd farm awaits your forming taste:
Plan the pavilion, airy, light and true;
Thro' the high arch call in the lengthening view;
Expand the forest sloping up the hill;
Swell to a lake the scant, penurious rill;

Scene--A spacious drawing-room, with music-room adjoining.

Katharine. What are the words ?

Eliza. Ask our friend, the Improvisatore ; here he comes. Kate has a favour
to ask of you, Sir ; it is that you will repeat the ballad [Believe me if
all those endearing young charms.--EHC's ? note] that Mr. sang so
sweetly.

Friend. It is in Moore's Irish Melodies ; but I do not recollect the
words distinctly. The moral of them, however, I take to be this :--

Love would remain the same if true,

I never asked you to be perfect—did I?—
Though often I’ve called you sweet, in the invasion
Of mastering love. I never prayed that you
Might stand, unsoiled, angelic and inhuman,
Pointing the way toward Sainthood like a sign-post.

Oh yes, I know the way to heaven was easy.
We found the little kingdom of our passion
That all can share who walk the road of lovers.
In wild and secret happiness we stumbled;
And gods and demons clamoured in our senses.

But I’ve grown thoughtful now. And you have lost

Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.

Seekest thou on earth the life of gods to share,
Safe in the realm of death?--beware
To pluck the fruits that glitter to thine eye;

Spirit of Dreams! When many a toilsome height
Shut paradise from exiled Adam’s sight,
Two wedded powers were given thenceforth to stray
On either hand, companions of his way;
This Hope was named in heaven, whence he came,
And that of Melancholy bore the name;
Thy parents these—who clothed thee with a ray
Snatched from Perfection as she passed away,
And to their gentle child bequeathed the grace
Wherewith they once adorned unfallen nature’s face.
Queen-mother of Elysiums, and all fair
Hesperian gardens, hear thy suppliant’s prayer!

Purged, with the life they left, of all
That makes life paltry and mean and small,
In their new dedication charged
With something heightened, enriched, enlarged,
That lends a light to their lusty brows
And a song to the rhythm of their tramping feet,
These are the men that have taken vows,
These are the hardy, the flower, the elite, --
These are the men that are moved no more
By the will to traffic and grasp and store
And ring with pleasure and wealth and love
The circles that self is the center of;

A milk-white Hind, immortal and unchang'd,
Fed on the lawns, and in the forest rang'd;
Without unspotted, innocent within,
She fear'd no danger, for she knew no sin.
Yet had she oft been chas'd with horns and hounds
And Scythian shafts; and many winged wounds
Aim'd at her heart; was often forc'd to fly,
And doom'd to death, though fated not to die.

Not so her young; for their unequal line
Was hero's make, half human, half divine.
Their earthly mold obnoxious was to fate,