I wrote a poem on the mist
And a woman asked me what I meant by it.
I had thought till then only of the beauty of the mist,
how pearl and gray of it mix and reel,
And change the drab shanties with lighted lamps at evening
into points of mystery quivering with color.

I answered:
The whole world was mist once long ago and some day
it will all go back to mist,
Our skulls and lungs are more water than bone and tissue
And all poets love dust and mist because all the last answers
Go running back to dust and mist.

1
O! Solitude, my sweetest choice
Places devoted to the night,
Remote from tumult, and from noise,
How you my restless thoughts delight!
O Heavens! what content is mine,
To see those trees which have appear'd
From the nativity of Time,
And which hall ages have rever'd,
To look to-day as fresh and green,
 As when their beauties first were seen!

2
A cheerful wind does court them so,
And with such amorous breath enfold,
That we by nothing else can know,
But by their hieght that they are old.

Oft when sweet music undulated round,
Like the full moon out of a perfumed sea
Thine image from the waves of blissful sound
Rose and thy sudden light illumined me.


And in the country, leaf and flower and air
Would alter and the eternal shape emerge;
Because they spoke of thee the fields seemed fair,
And Joy to wait at the horizon's verge.


The little cloud-gaps in the east that filled
Gray afternoons with bits of tenderest blue
Were windows in a palace pearly-silled

And the Communists have nothing to offer but fat cheeks and eyeglasses and
lying policemen
and the Capitalists proffer Napalm and money in green suitcases to the
Naked,
and the Communists create heavy industry but the heart is also heavy
and the beautiful engineers are all dead, the secret technicians conspire for
their own glamour
in the Future, in the Future, but now drink vodka and lament the Security
Forces,
and the Capitalists drink gin and whiskey on airplanes but let Indian brown
millions starve

An Elegy for Tristan Tzara

In the hungry kitchen
The dog sings for its dinner.
The housewife is writing her poem
On top of the frigidaire
Something like this:

    'Hear in the kitchen
    The crows fly home
    Into the red-robed trees
    That walk across the sky.

    Hear under the floor
    The three fountains rising and
    Trickling through the bridge

with love
give me your hand
some stranger
is fiction than truth

without love
I'm justa has
been away
too long in the tooth.

Wisteria, hysteria is as obvious a rhyme
as Viagra and Niagara there must be a reason
honeymooners traditionally went to the Falls
which were, said the divine Oscar,
an American bride's second biggest disappointment
tell me which do you like better,
the American Falls or the Horseshoe Falls,
I say the Horseshoe Falls, Joe says,
because its magnificence surpasses the American Falls
thank you, Joe, and did you know
when Casey Stengel managed the Yankees
he sat next to Bob Cerv on the bench one day,

On a mountain top above the clouds
That streamed like a sea below me
I said that peak is the thought of Budda,
And that one is the prayer of Jesus,
And this one is the dream of Plato,
And that one there the song of Dante,
And this is Kant and this is Newton,
And this is Milton and this is Shakespeare,
And this the hope of the Mother Church,
And this -- why all these peaks are poems,
Poems and prayers that pierce the clouds.
And I said "What does God do with mountains
That rise almost to heaven?"

JOHN courted lovely MARY ANN,
So likewise did his brother, FREDDY.
FRED was a very soft young man,
While JOHN, though quick, was most unsteady.

FRED was a graceful kind of youth,
But JOHN was very much the strongest.
"Oh, dance away," said she, "in truth,
I'll marry him who dances longest."

JOHN tries the maiden's taste to strike
With gay, grotesque, outrageous dresses,
And dances comically, like
CLODOCHE AND Co., at the Princess's.

But FREDDY tries another style,
He knows some graceful steps and does 'em -

Before he wrote a poem, he learned the measure
That living in the future gives a farm--
Propinquity of mules and cows, the charmed
Insouciance of hens, the fellowship,
At dawn, of seed-time and of harvest-time.
But when high noon gave way to evening, and
The fences lay, bent shadows, on the crops
And pastures to the yellowing trees, he felt
The presences he felt when, over rocks,
Through pools and where it wears the bank, the stream
Ran bright and dark at once, itself its shadow;
And suffered, in all he knew, the antagonists