London, thou art of town{.e}s A per se.
Soveraign of cities, semeliest in sight,
Of high renoun, riches, and royaltie;
Of lordis, barons, and many goodly knyght;
Of most delectable lusty ladies bright;
Of famous prelatis in habitis clericall;
Of merchauntis full of substaunce and myght:
London, thou art the flour of Cities all.

Gladdith anon, thou lusty Troy Novaunt,
Citie that some tyme cleped was New Troy,
In all the erth, imperiall as thou stant,
Pryncesse of townes, of pleasure, and of joy,

Rana, to me your slander is sweet.

Some praise me, some blame me. I

go the other way.

On the narrow path, I found God’s

people. What should I turn back for?

I am learning wisdom among the

wise, and the wicked look at me

with malice.

Mira’s Lord is Giridhar Nagar.

Let the wicked burn in the kitchen fire.







Mira’s God is the lifter of mountains.

I don’t like your strange world, Rana,

A world where there are no holy men,

All night long and every night,
When my mama puts out the light,
I see the people marching by,
As plain as day before my eye.

Armies and emperor and kings,
All carrying different kinds of things,
And marching in so grand a way,
You never saw the like by day.

So fine a show was never seen
At the great circus on the green;
For every kind of beast and man
Is marching in that caravan.

As first they move a little slow,
But still the faster on they go,
And still beside me close I keep

You, darkness, that I come from
I love you more than all the fires
that fence in the world,
for the fire makes a circle of light for everyone
and then no one outside learns of you.

But the darkness pulls in everything-
shapes and fires, animals and myself,
how easily it gathers them! -
powers and people-

and it is possible a great presence is moving near me.

I have faith in nights.

You mustn't show weakness
and you've got to have a tan.
But sometimes I feel like the thin veils
of Jewish women who faint
at weddings and on Yom Kippur.

You mustn't show weakness
and you've got to make a list
of all the things you can load
in a baby carriage without a baby.

This is the way things stand now:
if I pull out the stopper
after pampering myself in the bath,
I'm afraid that all of Jerusalem, and with it the whole world,
will drain out into the huge darkness.

In the daytime I lay traps for my memories

You meaner beauties of the night,
That poorly satisfy our eyes
More by your number than your light;
You common people of the skies,
What are you when the sun shall rise?

You curious chanters of the wood,
That warble forth Dame Nature's lays,
Thinking your voices understood
By your weak accents; what's your praise
When Philomel her voice shall raise?

You violets that first appear,
By your pure purple mantles known,
Like the proud virgins of the year,
As if the spring were all your own;
What are you when the rose is blown?

I’VE noticed this happen, when everything is black,
When I’m down below zero and cannot get back,
When I feel like a sort of a National Debt,
That will go on for ages and never be met,
When my will is all bagged at the knees and dead beat,
It is then, don’t you know, that., I’m certain to meet
With some prodigal lifeless dejected old bean,
Who is worse off than I you know what I mean.
Someone or other who’s entered the race,
With a sense of intention but can’t stay the pace,
He tells all his troubles and heaven knows what,

Oh, "rorty" was a mid-Victorian word
Which meant "fine, splendid, jolly,"
And often to me it has reoccurred
In moments melancholy.
For instance, children, I think it rorty
To be with people over forty.

I can't say which, come eventide,
More tedious I find;
Competing with the juvenile stride,
Or meeting the juvenile mind.
So I think it rorty, yes, and nifty,
To be with people over fifty.

The pidgin talk the youthful use
Bypasses conversation.
I can't believe the code they choose
Is a means of communication.

I'm part of people I have known
And they are part of me;
The seeds of thought that I have sown
In other minds I see.
There's something of me in the throne
And in the gallows tree.

There's something of me in each one
With whom I work and play,
For islanded there can be none
In this dynamic day;
And meshed with me perchance may be
A leper in Cathay.

There's me in you and you in me,
For deeply in us delves
Such common thought that never we

The gold-hoarder walked in his palace park and with him walked his troubles. And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary.