COURAGE yet! my brother or my sister!
Keep on! Liberty is to be subserv'd, whatever occurs;
That is nothing, that is quell'd by one or two failures, or any
number of failures,
Or by the indifference or ingratitude of the people, or by any
unfaithfulness,
Or the show of the tushes of power, soldiers, cannon, penal statutes.

Revolt! and still revolt! revolt!
What we believe in waits latent forever through all the continents,
and all the islands and archipelagos of the sea;

You come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.


You come along squirting words at us, shaking your fist

When I am in New York, I like to drop around at night,
To visit with my honest, genial friends, the Stoddards hight;
Their home in Fifteenth street is all so snug, and furnished so,
That, when I once get planted there, I don't know when to go;
A cosy cheerful refuge for the weary homesick guest,
Combining Yankee comforts with the freedom of the west.

The first thing you discover, as you maunder through the hall,
Is a curious little clock upon a bracket on the wall;
'T was made by Stoddard's father, and it's very, very old--

In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.

Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken.  People use their own words.

Latin letters are in it for names, for e.g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure

have escaped their toilet doors.  I (that is, saya,
Ego, watashji wa) am two eyes without pupils;

Is it so, that the sword is broken,
Our sword, that was halfway drawn?
Is it so, that the light was a spark,
That the bird we hailed as the lark
Sang in her sleep in the dark,
And the song we took for a token
Bore false witness of dawn?

Spread in the sight of the lion,
Surely, we said, is the net
Spread but in vain, and the snare
Vain; for the light is aware,
And the common, the chainless air,
Of his coming whom all we cry on;
Surely in vain is it set.

Surely the day is on our side,

"Launching our from the ship--
ha, ha! courtship--
Oh the misty matrimonial sea,
Let the cable hang lightly,
but tie the knot tightly."
So the hoary sailors tell me.
As we are just launching our nuptial canoes,
Enroute for some haven, we know not what,
Old mariner' views
'twere wrong to refuse;
So oblige us with a workmanlike knot.

And tie the knot tightly, good pastor!
Invent one that will not come loose;
For tho' sad, it is true that people slip thro',
Or squirm and wriggle out of the noose.
"To love and to cherish"

Here's a vestibule. On holidays
Overcome by slavish fear,
The whole population, in a state of awe,
Rushes to the sacred doors.
Having left their names and ranks.
All these visitors return then to their homes
They are all so deeply satisfied
You might think this was their calling!
Yet on other days this ornate vestibule
Is beset by much more wretched sorts:
Schemers and position-seekers,
By a widow and an aged man.
To and fro each morning without cease
Couriers bustle with their papers.
Some returning seekers whistle a tune

There are places where the eye can starve,
But not here. Here, for example, is
The Piazza Navona, & here is his narrow room
Overlooking the Steps & the crowds of sunbathing
Tourists. And here is the Protestant Cemetery
Where Keats & Joseph Severn join hands
Forever under a little shawl of grass
And where Keats's name isn't even on
His gravestone, because it is on Severn's,
And Joseph Severn's infant son is buried
Two modest, grassy steps behind them both.
But you'd have to know the story--how bedridden

499

Those fair—fictitious People—
The Women—plucked away
From our familiar Lifetime—
The Men of Ivory—

Those Boys and Girls, in Canvas—
Who stay upon the Wall
In Everlasting Keepsake—
Can Anybody tell?

We trust—in places perfecter—
Inheriting Delight
Beyond our faint Conjecture—
Our dizzy Estimate—

Remembering ourselves, we trust—
Yet Blesseder—than We—
Through Knowing—where We only hope—
Receiving—where we—pray—

Of Expectation—also—
Anticipating us
With transport, that would be a pain

IN all the towns and cities fair
On Merry England's broad expanse,
No swordsman ever could compare
With THOMAS WINTERBOTTOM HANCE.

The dauntless lad could fairly hew
A silken handkerchief in twain,
Divide a leg of mutton too -
And this without unwholesome strain.

On whole half-sheep, with cunning trick,
His sabre sometimes he'd employ -
No bar of lead, however thick,
Had terrors for the stalwart boy.

At Dover daily he'd prepare
To hew and slash, behind, before -
Which aggravated MONSIEUR PIERRE,