Light up your pipe again, old chum, and sit awhile with me;
I've got to watch the bannock bake -- how restful is the air!
You'd little think that we were somewhere north of Sixty-three,
Though where I don't exactly know, and don't precisely care.
The man-size mountains palisade us round on every side;
The river is a-flop with fish, and ripples silver-clear;
The midnight sunshine brims yon cleft -- we think it's the Divide;
We'll get there in a month, maybe, or maybe in a year.

It doesn't matter, does it, pal? We're of that breed of men

While summer suns o'er the gay prospect play'd,
Through Surrey's verdant scenes, where Epsom spread
'Mid intermingling elms her flowery meads,
And Hascombe's hill, in towering groves array'd,
Rear'd its romantic steep, with mind serene,
I journey'd blithe. Full pensive I return'd;
For now my breast with hopeless passion burn'd,
Wet with hoar mists appear'd the gaudy scene,
Which late in careless indolence I pass'd;
And Autumn all around those hues had cast
Where past delight my recent grief might trace.

(Matthew V, 38-48.)


Who can surrender to Christ, dividing his best with the stranger,
Giving to each what he asks, braving the uttermost danger
All for the enemy, MAN? Who can surrender till death
His words and his works, his house and his lands,
His eyes and his heart and his breath?

Who can surrender to Christ? Many have yearned toward it daily.
Yet they surrender to passion, wildly or grimly or gaily;
Yet they surrender to pride, counting her precious and queenly;

When you were reading those tormented lines
In which the heart's resonant flame sends out glowing streams
And passion's fatal torrents rear up,-
Didn't you recall a single thing?

I can't believe it! That night on the steppe
When, in the midnight mist a premature dawn,
Transparent, lovely as a miracle,
Broke in the distance before you

And your unwilling eye was to this beauty drawn
To that majestic glow beyond the realm of darkness,-
How could it be that nothing whispered to you then:

When the rose is faded,
Memory may still dwell on
Her beauty shadowed,
And the sweet smell gone.

That vanishing loveliness,
That burdening breath,
No bond of life hath then,
Nor grief of death.

'Tis the immortal thought
Whose passion still
Makes the changing
The unchangeable.

Oh, thus thy beauty,
Loveliest on earth to me,
Dark with no sorrow, shines
And burns, with thee.

When I have passed away and am forgotten,
And no one living can recall my face,
When under alien sod my bones lie rotten
With not a tree or stone to mark the place;

Perchance a pensive youth, with passion burning,
For olden verse that smacks of love and wine,
The musty pages of old volumes turning,
May light upon a little song of mine,

And he may softly hum the tune and wonder
Who wrote the verses in the long ago;
Or he may sit him down awhile to ponder
Upon the simple words that touch him so.

When Aurelia first I courted,
She had youth and beauty too,
Killing pleasures when she sported,
And her charms were ever new;
Conquering time doth now deceive her,
Which her glories did uphold,
All her arts can ne'er retrieve her,
Poor Aurelia's growing old.

The airy spirits which invited,
Are retir'd, and move no more,
And those eyes are now benighted,
Which were comets heretofore.
Want of these abate her merits,
Yet I've passion for her name,
Only kind and am'rous spirits

We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the Mayor, mulled a couple
matters over. The Italian literati seemed
bewildered by the language of America: they asked us
what does "flat drink" mean? and the mysterious
"cheap date" (no explanation lessened
this one's mystery). Among Italian writers we

could recognize our counterparts: the academic,
the apologist, the arrogant, the amorous,
the brazen and the glib. And there was one

DANCINDA.

"NO, fair DANCINDA, no; you strive in vain
"To calm my care and mitigate my pain ;
"If all my sighs, my cares, can fail to move,
"Ah! sooth me not with fruitless vows of love."

Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart;
`What proof of love remains for me to grant?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --

We hail thee now, O Jesus,
thy presence here we own,
though sight and touch have failed us,
and faith perceives alone;
thy love has veiled thy glory;
and hid thy power divine,
in mercy to our weakness,
beneath an earthly sign.

We hail thee now, O Jesus,
in silence hast thou come,
for all the hosts of heaven
with wonderment are dumb:
so great the condescension,
so marvelous the love,
which for our sakes, O Savior,
have drawn thee from above.

We hail thee now, O Jesus,
for law and type have ceased,