Come, Sons of Summer, by whose toil
We are the lords of wine and oil:
By whose tough labours, and rough hands,
We rip up first, then reap our lands.
Crown'd with the ears of corn, now come,
And, to the pipe, sing Harvest Home.

Come forth, my lord, and see the cart
Drest up with all the country art.
See, here a maukin, there a sheet,
As spotless pure, as it is sweet:
The horses, mares, and frisking fillies,
Clad, all, in linen white as lilies.
The harvest swains and wenches bound
For joy, to see the Hock-Cart crown'd.

To the Right Honourable Mildmay, Earl of Westmoreland

Come, sons of summer, by whose toil
We are the lords of wine and oil;
By whose tough labours, and rough hands,
We rip up first, then reap our lands.
Crown'd with the ears of corn, now come,
And to the pipe sing Harvest Home.
Come forth, my lord, and see the cart
Dress'd up with all the country art.
See, here a malkin, there a sheet,
As spotless pure, as it is sweet;
The horses, mares, and frisking fillies,
(Clad, all, in linen, white as lilies.)

You speak to me, but does your speech
With truest truth your thought convey?
I listen to your words and each
Is what I wait to hear you say.
The pattern that your lips reveal,
How does it measure with your mind?
What undertones do you conceal?
Your smile is sweet - but what's behind?

I speak to you, but do I tell
The secret working of my brain?
Frank honesty would make life hell,
And truth be tantamount to pain.
When deep into the mind one delves,
Appalling verities we view;
If we betrayed our inner selves,

WITHIN the world a second world
That circles ceaselessly:
Stars in the sky and sister stars—
Turn in your eyes and see!

Tides of the sea that rise and fall,
Aheave from Pole to Pole—
And kindred swayings, veiled but felt,
That noise along the soul.

Yon moon, noon-rich, high-throned, remote,
And pale with pride extreme,
Draws up the sea, but what white moon
Exalts the tide of Dream?

The Fisher-Folk who cast their nets
In Vision’s golden tide

Pray why are you so bare, so bare,
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?
My leaves were green as the best, I trow,
And sap ran free in my veins,
But I say in the moonlight dim and weird
A guiltless victim's pains.
They'd charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?
He prayed his prayer and he swore his oath,
And he raised his hand to the sky;

Upon a lonely desart Beach
Where the white foam was scatter'd,
A little shed uprear'd its head
Though lofty Barks were shatter'd.
The Sea-weeds gath'ring near the door,
A sombre path display'd;
And, all around, the deaf'ning roar,
Re-echo'd on the chalky shore,
By the green billows made.

Above, a jutting cliff was seen
Where Sea Birds hover'd, craving;
And all around, the craggs were bound
With weeds--for ever waving.
And here and there, a cavern wide
Its shad'wy jaws display'd;
And near the sands, at ebb of tide,

The Hartley men are noble, and
Ye'll hear a tale of woe;
I'll tell the doom of the Hartley men -
The year of sixty two.

'Twas on the Thursday morning, on
The first month of the year,
When there befell the thing that well
May rend the heart to hear.

Ere chanticleer with music rare
Awakes the old homestead,
The Hartley men are up and off
To earn their daily bread.

On, on they toil; with heat they broil,
And streams of sweat still glue
The stour unto their skins, till they
Are black as the coal they hew.

A week ago; only a little week:
it seems so much much longer, though that day
is every morning still my yesterday;
as all my life 'twill be my yesterday,
for all my life is morrow to my love.
Oh fortunate morrow! Oh sweet happy love!

A week ago; and I am almost glad
to have him now gone for this little while,
that I may think of him and tell myself
what to be his means, now that I am his,
and know if mine is love enough for him,
and make myself believe it all is true.

A week ago; and it seems like a life,

Her tawny eyes are onyx of thoughtlessness,
Hardened they are like gems in ancient modesty;
Yea, and her mouth’s prudent and crude caress
Means even less than her many words to me.

Though her kiss betrays me also this, this only
Consolation, that in her lips her blood at climax clips
Two wild, dumb paws in anguish on the lonely
Fruit of my heart, ere down, rebuked, it slips.

I know from her hardened lips that still her heart is
Hungry for me, yet if I put my hand in her breast

Who thinks how desolate and strange
To me must seem the autumn's change,
When housed in attic or in chest,
A lonely and unwilling guest,
I lie through nights of bleak December,
And think in silence, and remember.

I think of hempen fields, where I
Once played with insects floating by,
And joyed alike in sun and rain,
Unconscious of approaching pain.
I dwell upon my later lot,
Where, swung in some secluded spot
Between two tried and trusted trees,
All summer long I wooed the breeze.
With song of bee and call of bird