The first speaker said
Fear fire. Fear furnaces
Incinerators, the city dump
The faint scratch of a match.

The second speaker said
Fear water. Fear drenching rain
Drizzle, oceans, puddles, a damp
Day and the flush toilet.

The third speaker said
Fear wind. And it needn't be
A hurricane. Drafts, open
Windows, electric fans.

The fourth speaker said
Fear knives. Fear any sharp
Thing, machine, shears
Scissors, lawnmowers.

The fifth speaker said
Hope. Hope for the best

---anankta ton pantôn huperbal-
lonta chronon makarôn.
Pindar. Hymn. frag. 33


Spirit of the days of yore!
Thou! who, in thy haunted cave,
By the torrent's sounding shore,
Mark'st the autumnal tempest rave:
Or, where on some ivied wall
Twilight-mingled moonbeams fall,
Deep in aisles and cloisters dim,
Hear'st the grey monks' verpser hymn:
Or, beneath the cypress shade,
Where forgotten chiefs are laid,
Pacing slow with solemn tread,
Breathest the verse that wakes the dead---
By the ivied convent lone,

631

Ourselves were wed one summer—dear—
Your Vision—was in June—
And when Your little Lifetime failed,
I wearied—too—of mine—

And overtaken in the Dark—
Where You had put me down—
By Some one carrying a Light—
I—too—received the Sign.

'Tis true—Our Futures different lay—
Your Cottage—faced the sun—
While Oceans—and the North must be—
On every side of mine

'Tis true, Your Garden led the Bloom,
For mine—in Frosts—was sown—
And yet, one Summer, we were Queens—
But You—were crowned in June—

Our eyes
are limpid
drops of water.
In each drop exists
a tiny sign
of our genius
which has given life to cold iron.
Our eyes
are limpid
drops of water
merged absolutely in the Ocean
that you could hardly recognize
the drop in a block of ice
in a boiling pan.
The masterpiece of these eyes
the fulfillment of their genius
the living iron.
In these eyes
filled with limpid

My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think

praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,

it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:
We breed our firmest facts of air;

ARGUMENT
The old Atlantes suffers fatal wreck,
Foiled by the ring, and young Rogero freed,
Who soars in air till he appears a speck,
Mounted upon the wizard's winged steed.
Obediant to the royal Charles's beck,
He who had followed Love's imperious lead,
Rinaldo, disembarks on British land,
And saves Genevra, doomed to stake and brand.


I
Though an ill mind appear in simulation,
And, for the most, such quality offends;
'Tis plain that this in many a situation
Is found to further beneficial ends,

On the road to nowhere
What wild oats did you sow
When you left your father's house
With your cheeks aglow?
Eyes so strained and eager
To see what you might see?
Were you thief or were you fool
Or most nobly free?

Were the tramp-days knightly,
True sowing of wild seed?
Did you dare to make the songs
Vanquished workmen need?
Did you waste much money
To deck a leper's feast?
Love the truth, defy the crowd
Scandalize the priest?
On the road to nowhere
What wild oats did you sow?

Sacerdos
Fronde super mitram, & felici comptus oliva.
Virg.


To the Lord Privy Seal

Contending kings, and fields of death, too long
Have been the subject of the British song.
Who hath not read of fam'd Ramillia's plain,
Bavaria's fall, and Danube choak'd with slain!
Exhausted themes! a gentler note I raise,
And sing returning peace in softer lays.
Their fury quell'd, and martial rage allay'd,
I wait our heroes in the sylvan shade:
Disbanding hosts are imag'd to my mind,

I like not tears in tune, nor do I prize
His artificial grief that scans his eyes;
Mine weep down pious beads, but why should I
Confine them to the Muses' rosary?
I am no poet here; my pen's the spout
Where the rain-water of my eyes runs out,
In pity of that name, whose fate we see
Thus copied out in grief's hydrography.
The Muses are not mermaids, though upon
His death the ocean might turn Helicon.
The sea's too rough for verse; who rhymes upon 't
With Xerxes strives to fetter th' Hellespont.