Riding Together

For many, many days together
The wind blew steady from the East;
For many days hot grew the weather,
About the time of our Lady's Feast.

For many days we rode together,
Yet met we neither friend nor foe;
Hotter and clearer grew the weather,
Steadily did the East wind blow.

We saw the trees in the hot, bright weather,
Clear-cut, with shadows very black,
As freely we rode on together
With helms unlaced and bridles slack.

And often, as we rode together,


Ride

We first met on a golden night
As the moon radiated love light
On the dock of the bay.
Somewhere between the real deal and an illusion
We lay unapologetically
Stroking each others lack of responsibility.

'I want to be a poet,'
She said looking over the mountain,
'I want to be a hippy,'
She said checking out me natty dread,
'I want to be political,'
She whispered as she admired my scars,
'I may not look it, but I'm really oppressed,'
She said smiling,
Handing me her welfare book.


Richard Pigott, the Forger

Richard Pigott, the forger, was a very bad man,
And to gainsay it there's nobody can,
Because for fifty years he pursued a career of deceit,
And as a forger few men with him could compete.

For by forged letters he tried to accuse Parnell
For the Phoenix Park murders, but mark what befell.
When his conscience smote him he confessed to the fraud,
And the thought thereof no doubt drove him mad.

Then he fled from London without delay,
Knowing he wouldn't be safe there night nor day,


Rhymes for Gloriana

I. THE DOLL UPON THE TOPMOST BOUGH


This doll upon the topmost bough,
This playmate-gift, in Christmas dress,
Was taken down and brought to me
One sleety night most comfortless.

Her hair was gold, her dolly-sash
Was gray brocade, most good to see.
The dear toy laughed, and I forgot
The ill the new year promised me.


II. ON SUDDENLY RECEIVING A CURL LONG REFUSED

Oh, saucy gold circle of fairyland silk —
Impudent, intimate, delicate treasure:


Rhode Island

Here at the seashore they use the clouds over & over
again, like the rented animals in Aïda.
In the late morning the land breeze
turns and now the extras are driving
all the white elephants the other way.
What language are the children shouting in?
He is lying on the beach listening.

The sand knocks like glass, struck by bare heels.
He tries to remember snow noise.
Would powder snow ping like that?
But you don't lie with your ear to powder snow.
Why doesn't the girl who takes care


Reveille

Wake: the silver dusk returning
Up the beach of darkness brims,
And the ship of sunrise burning
Strands upon the eastern rims.

Wake: the vaulted shadow shatters,
Trampled to the floor it spanned,
And the tent of night in tatters
Straws the sky-pavilioned land.

Up, lad, up, 'tis late for lying:
Hear the drums of morning play;
Hark, the empty highways crying
"Who'll beyond the hills away?"

Towns and countries woo together,
Forelands beacon, belfries call;
Never lad that trod on leather


Reuben Bright

Because he was a butcher and thereby
Did earn an honest living (and did right),
I would not have you think that Reuben Bright
Was any more a brute than you or I;
For when they told him that his wife must die,
He stared at them, and shook with grief and fright,
And cried like a great baby half that night,
And made the women cry to see him cry.

And after she was dead, and he had paid
The singers and the sexton and the rest,
He packed a lot of things that she had made
Most mournfully away in an old chest


Returning, We Hear the Larks

Sombre the night is.
And though we have our lives, we know
What sinister threat lies there.

Dragging these anguished limbs, we only know
This poison-blasted track opens on our camp -
On a little safe sleep.

But hark! joy - joy - strange joy.
Lo! heights of night ringing with unseen larks.
Music showering our upturned list’ning faces.

Death could drop from the dark
As easily as song -
But song only dropped,
Like a blind man’s dreams on the sand
By dangerous tides,


Return

Return, return! all night my lamp is burning,
All night, like it, my wide eyes watch and burn;
Like it, I fade and pale, when day returning
Bears witness that the absent can return,
Return, return.

Like it, I lessen with a lengthening sadness,
Like it, I burn to waste and waste to burn,
Like it, I spend the golden oil of gladness
To feed the sorrowy signal for return,
Return, return.

Like it, like it, whene'er the east wind sings,
I bend and shake; like it, I quake and yearn,


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