night

Take the name of the swain, a forlorn witless elf
Who was chang'd to a flow'r for admiring himself.
A part deem'd essential in each lady's dress
With what maidens cry when they wish to say yes.
A lullabye carriage, soft, cozy and light
With the name of the Poet who sang on the night.

The queen of Cairo, all lovely and winning
Whose blandishments ever kept Antony grinning.
The flow'r whose odors unremittingly please:
With the glory of forests, the king of the trees.
To the prince of the fairies, a jealous old knave,

SOME time ago from Rome, in smart array,
A younger brother homeward bent his way,
Not much improved, as frequently the case
With those who travel to that famous place.
Upon the road oft finding, where he stayed,
Delightful wines, and handsome belle or maid,
With careless ease he loitered up and down.--
One day there passed him in a country town,
Attended by a page, a lady fair,
Whose charming form and all-engaging air,
At once his bosom fired with fond desire;
And nearer still, her beauties to admire.

Indeed indeed it is growing very sultry
The indian feather pots are scrambling out of the room
The slow voice of the tobacconist is like a circle
Drawn on the floor in chalk and containing ants
And indeed there is a shoe upon the table
And indeed it is as regular as clockwork
Demonstrating the variability of the weather
Or denying the existence of manu altogether
For after all why should love resemble a cushion
Why should the stumbling-block float up towards the ceiling
And in our attic it is always said

And God stepped out on space,
And he looked around and said:
I'm lonely--
I'll make me a world.

And far as the eye of God could see
Darkness covered everything,
Blacker than a hundred midnights
Down in a cypress swamp.

Then God smiled,
And the light broke,
And the darkness rolled up on one side,
And the light stood shining on the other,
And God said: That's good!

Then God reached out and took the light in his hands,
And God rolled the light around in his hands

The biggest crane on earth, it lifts
Two hundred ton more easily
Than I can lift my heavy head:
And when it swings, the whole world shifts,
Or so, at least, it seems to me,
As, day and night, adream I lie
Upon my crippled back in bed,
And watch it against the sky.

My mother, hunching in her chair,
Day-long, and stitching trousers there--
At three-and-three the dozen pair . . .
She'd sit all night, and stitch for me,
Her son, if I could only wear . . .
She never lifts her eyes to see

Thank you, pretty cow, that made
Pleasant milk to soak my bread,
Every day and every night,
Warm, and fresh, and sweet, and white.

Do not chew the hemlock rank,
Growing on the weedy bank;
But the yellow cowslips eat;
They perhaps will make it sweet.

Where the purple violet grows,
Where the bubbling water flows,
Where the grass is fresh and fine,
Pretty cow, go there to dine.

She makes her way through the dark trees
Down to the lake to be alone.
Following their voices on the breeze,
She makes her way. Through the dark trees
The distant stars are all she sees.
They cannot light the way she's gone.
She make her way through the dark trees
Down to the lake to be alone.

The night reflected on the lake,
The fire of stars changed into water.
She cannot see the winds that break
The night reflected on the lake
But knows they motion for her sake.

TIS, in good truth, a most wonderful thing
(I am even ashamed to relate it)
That love so many vexations should bring,
And yet few have the wit to hate it.

Love's weather in maids should seldom hold fair:
Like April's mine shall quickly alter;
I'll give him to-night a lock of my hair,
To whom next day I'll send a halter.

I cannot abide these malapert males,
Pirates of love, who know no duty;
Yet love with a storm can take down their sales,
And they must strike to Admiral Beauty.

The Sun revolving on his axis turns,
And with creative fire intensely burns;
Impell'd by forcive air, our Earth supreme,
Rolls with the planets round the solar gleam.
First Mercury completes his transient year,
Glowing, refulgent, with reflected glare;
Bright Venus occupies a wider way,
The early harbinger of night and day;
More distant still our globe terraqueous turns,
Nor chills intense, nor fiercely heated burns;
Around her rolls the lunar orb of light,
Trailing her silver glories through the night:

Children are dumb to say how hot the day is,
How hot the scent is of the summer rose,
How dreadful the black wastes of evening sky,
How dreadful the tall soldiers drumming by.

But we have speech, to chill the angry day,
And speech, to dull the rose's cruel scent.
We spell away the overhanging night,
We spell away the soldiers and the fright.

There's a cool web of language winds us in,
Retreat from too much joy or too much fear:
We grow sea-green at last and coldly die
In brininess and volubility.