When the night wind howls in the chimney cowls, and the bat in the
moonlight flies,
And inky clouds, like funeral shrouds, sail over the midnight skies -
When the footpads quail at the night-bird's wail, and black dogs
bay the moon,
Then is the spectres' holiday - then is the ghosts' high noon!

As the sob of the breeze sweeps over the trees, and the mists lie
low on the fen,
From grey tombstones are gathered the bones that once were women
and men,
And away they go, with a mop and a mow, to the revel that ends too
soon,

There stands a City,-- neither large nor small,
Its air and situation sweet and pretty;
It matters very little -- if at all --
Whether its denizens are dull or witty,
Whether the ladies there are short or tall,
Brunettes or blondes, only, there stands a city!--
Perhaps 'tis also requisite to minute
That there's a Castle and a Cobbler in it.

A fair Cathedral, too, the story goes,
And kings and heroes lie entomb'd within her;
There pious Saints, in marble pomp repose,
Whose shrines are worn by knees of many a Sinner;

The Ghost of Miltiades came at night,
And he stood by the bed of the Benthamite,
And he said, in a voice, that thrill'd the frame,
"If ever the sound of Marathon's name
Hath fir'd they blood or flush'd thy brow,
Lover of Liberty, rise thee now!"


The Benthamite, yawning, left his bed --
Away to the Stock Exchange he sped,
And he found the Scrip of Greece so high,
That it fir'd his blood, it flush'd his eye,
And oh, 'twas a sight to see,
For never was Greek more Greek than he!
And still as the premium higher went,

"Ah, did you once see Shelley plain?" -- Browning.
"Shelley? Oh, yes, I saw him often then,"
The old man said. A dry smile creased his face
With many wrinkles. "That's a great poem, now!
That one of Browning's! Shelley? Shelley plain?
The time that I remember best is this --

A thin mire crept along the rutted ways,
And all the trees were harried by cold rain
That drove a moment fiercely and then ceased,
Falling so slow it hung like a grey mist
Over the school. The walks were like blurred glass.

Your questioning eyes are sad. They
seek to know my meaning as the moon
would fathom the sea.
I have bared my life before your
eyes from end to end, with nothing
hidden or held back. That is why you
know me not.
If it were only a gem, I could break
it into a hundred pieces and string
them into a chain to put on your neck.
If it were only a flower, round and
small and sweet, I could pluck it from
its stem to set it in your hair.
But it is a heart, my beloved.
Where are its shores and its bottom?

An unbelieving smile flits on your
eyes when I come to you to take my
leave.
I have done it so often that you
think I will soon return.
To tell you the truth I have the
same doubt in my mind.
For the spring days come again
time after time; the full moon takes
leave and comes on another visit,
the flowers come again and blush
upon their branches year after year,
and it is likely that I take my leave
only to come to you again.
But keep the illusion awhile; do
not send it away with ungentle
haste.

Let your work be, bride. Listen, the
guest has come.
Do you hear, he is gently shaking
the chain which fastens the door?
See that your anklets make no loud
noise, and that your step is not over-
hurried at meeting him.
Let your work be, bride, the guest
had come in the evening.
No, it is not the ghostly wind, bride,
do not be frightened.
It is the full moon on a night of
April; shadows are pale in the court-
yard; the sky overhead is bright.
Draw your veil over your face if

I spent my day on the scorching
hot dust of the road.
Now, in the cool of the evening, I
knock at the door of the inn. It is
deserted and in ruins.
A grim ashath tree spreads its
hungry clutching roots through the
gaping fissures of the walls.
Days have been when wayfarers
came here to wash their weary feet.
They spread their mats in the
courtyard in the dim light of the
early moon, and sat and talked of
strange lands.
They woke refreshed in the morning
when birds made them glad, and
friendly flowers nodded their heads

A black cat among roses,
Phlox, lilac-misted under a first-quarter moon,
The sweet smells of heliotrope and night-scented stock.
The garden is very still,
It is dazed with moonlight,
Contented with perfume,
Dreaming the opium dreams of its folded poppies.
Firefly lights open and vanish
High as the tip buds of the golden glow
Low as the sweet alyssum flowers at my feet.
Moon-shimmer on leaves and trellises,
Moon-spikes shafting through the snowball bush.
Only the little faces of the ladies' delight are alert and staring,

Oft have I seen yon Solitary Man
Pacing the upland meadow. On his brow
Sits melancholy, mark'd with decent pride,
As it would fly the busy, taunting world,
And feed upon reflection. Sometimes, near
The foot of an old Tree, he takes his seat
And with the page of legendary lore
Cheats the dull hour, while Evening's sober eye
Looks tearful as it closes. In the dell
By the swift brook he loiters, sad and mute,
Save when a struggling sigh, half murmur'd, steals
From his wrung bosom. To the rising moon,