Why do you always stand there shivering
Between the white stream and the road?

The people pass through the dust
On bicycles, in carts, in motor-cars;
The waggoners go by at down;
The lovers walk on the grass path at night.

Stir from your roots, walk, poplar!
You are more beautiful than they are.

I know that the white wind loves you,
Is always kissing you and turning up
The white lining of your green petticoat.
The sky darts through you like blue rain,
And the grey rain drips on your flanks
And loves you.

Beneath an old wall, that went round an old Castle,
For many a year, with brown ivy o'erspread;
A neat little Hovel, its lowly roof raising,
Defied the wild winds that howl'd over its shed:
The turrets, that frown'd on the poor simple dwelling,
Were rock'd to and fro, when the Tempest would roar,
And the river, that down the rich valley was swelling,
Flow'd swiftly beside the green step of its door.

The Summer Sun, gilded the rushy-roof slanting,
The bright dews bespangled its ivy-bound hedge

Night covers the pond with its wing.
Under the ringed moon I can make out
your face swimming among minnows and the small
echoing stars. In the night air
the surface of the pond is metal.

Within, your eyes are open. They contain
a memory I recognize, as though
we had been children together. Our ponies
grazed on the hill, they were gray
with white markings. Now they graze
with the dead who wait
like children under their granite breastplates,
lucid and helpless:

The hills are far away. They rise up
blacker than childhood.

January

Janus am I; oldest of potentates;
Forward I look, and backward, and below
I count, as god of avenues and gates,
The years that through my portals come and go.
I block the roads, and drift the fields with snow;
I chase the wild-fowl from the frozen fen;
My frosts congeal the rivers in their flow,
My fires light up the hearths and hearts of men.

February

I am lustration, and the sea is mine!
I wash the sands and headlands with my tide;
My brow is crowned with branches of the pine;

Down, you mongrel, Death!
Back into your kennel!
I have stolen breath
In a stalk of fennel!
You shall scratch and you shall whine
Many a night, and you shall worry
Many a bone, before you bury
One sweet bone of mine!

When shall I be dead?
When my flesh is withered,
And above my head
Yellow pollen gathered
All the empty afternoon?
When sweet lovers pause and wonder
Whom am I that lie thereunder,
Hidden from the moon?

This my personal death?—
That my lungs be failing
To inhale the breath

Night closed my windows and
The sky became a crystal house
The crystal windows glowed
The moon
shown through them
through the whole house of crystal
A single star beamed down
its crystal cable
and drew a plough through the earth
unearthing bodies clasped together
couples embracing
around the earth
They clung together everywhere
emitting small cries
that did not reach the stars
The crystal earth turned
and the bodies with it
And the sky did not turn
nor the stars with it
The stars remained fixed

Mother of musings, Contemplation sage,
Whose grotto stands upon the topmost rock
Of Teneriffe; 'mid the tempestuous night,
On which, in calmest meditation held,
Thou hear'st with howling winds the beating rain
And drifting hail descend; or if the skies
Unclouded shine, and through the blue serene
Pale Cynthia rolls her silver-axled car,
Whence gazing steadfast on the spangled vault
Raptured thou sitt'st, while murmurs indistinct
Of distant billows soothe thy pensive ear
With hoarse and hollow sounds; secure, self-blest,

Too late, alas! the song
To remedy the wrong; --
The rooms are taken from us, swept and
garnished for their fate.
But these tear-besprinkled pages
Shall attest to future ages
That we cried against the crime of it --
too late, alas! too late!


"What have we ever done to bear this grudge?"
Was there no room save only in Benmore
For docket, duftar, and for office drudge,
That you usurp our smoothest dancing floor?
Must babus do their work on polished teak?
Are ball-rooms fittest for the ink you spill?

It was the silver, heart-enveloping view
Of the mysterious sea-line far away,
Seen only on a gleaming gold-white day,
That made it dear and beautiful to you.

And Laura loved it for the little hill,
Where the quartz sparkled fire, barren and dun,
Whence in the shadow of the dying sun,
She contemplated Hallow's wooden mill.

While Danny liked the sheltering high grass,
In which he lay upon a clear dry night,
To hear and see, screened skilfully from sight,
The happy lovers of the valley pass.

'Tis noon of night; the sable clouds,
Hang weeping in the sky;
Alone I sit, where fancies flit
Like spectral shadows by.
Me thinks I see familiar forms,
And on before them all--
So fair, so calm, so wondrous like, wondrous like
The picture on the wall.

Among the brave and loyal,
How many lov'd ones fall!
Whose friends bereft,
Have only left, only left
A picture on the wall.

I hear the press of eager feet,
Upon my parlor floor;
A moment, and my willing arms
Enclasp my boy once more.