To a Poet, Charles Bridges

THOU singest, thou, me seems,
Coming from high Parnassus; where thy head
Beside the silent streams,
Among fast-fading blooms, hath fashioned
A pillow of pale dreams;
While from thee, sleeping, gods, of heart and soul,
Have taken fullest toll.

Thou knowest at what cost
Thy sleep was taken on those awful hills--
What thou hast gained, and lost;
Thou knowest, too, if what thou art fulfils
The pledge of what thou wast;
And if all compensates the poet's wreath
That wounds the brow beneath.


To A Poet Breaking Silence

Too wearily had we and song
Been left to look and left to long,
Yea, song and we to long and look,
Since thine acquainted feet forsook
The mountain where the Muses hymn
For Sinai and the Seraphim.
Now in both the mountains' shine
Dress thy countenance, twice divine!
From Moses and the Muses draw
The Tables of thy double Law!
His rod-born fount and Castaly
Let the one rock bring forth for thee,
Renewing so from either spring
The songs which both thy countries sing:


Thinking Of A Friend At Night

In this evil year, autumn comes early...
I walk by night in the field, alone, the rain clatters,
The wind on my hat...And you? And you, my friend?

You are standing--maybe--and seeing the sickle moon
Move in a small arc over the forests
And bivouac fire, red in the black valley.
You are lying--maybe--in a straw field and sleeping
And dew falls cold on your forehead and battle jacket.

It's possible tonight you're on horseback,
The farthest outpost, peering along, with a gun in your fist,


The Rose of Midnight

The moon is now an opening flower,
The sky a cliff of blue.
The moon is now a silver rose;
Her pollen is the dew.

Her pollen is the mist that swings
Across her face of dreams:
Her pollen is the April rain,
Filling the April streams.

Her pollen is eternal life,
Endless ambrosial foam.
It feeds the swarming stars and fills
Their hearts with honeycomb.

The earth is but a passion-flower
With blood upon his crown.
And what shall fill his failing veins


The Pangolin

Another armored animal–scale
lapping scale with spruce-cone regularity until they
form the uninterrupted central
tail row! This near artichoke with head and legs and
grit-equipped gizzard,
the night miniature artist engineer is,
yes, Leonardo da Vinci’s replica–
impressive animal and toiler of whom we seldom hear.
Armor seems extra. But for him,
the closing ear-ridge–
or bare ear licking even this small
eminence and similarly safe
contracting nose and eye apertures


The Palace of Art

I built my soul a lordly pleasure-house,
Wherein at ease for aye to dwell.
I said, "O Soul, make merry and carouse,
Dear soul, for all is well."
A huge crag-platform, smooth as burnish'd brass
I chose. The ranged ramparts bright
From level meadow-bases of deep grass
Suddenly scaled the light.
Thereon I built it firm. Of ledge or shelf
The rock rose clear, or winding stair.
My soul would live alone unto herself
In her high palace there.


The New Moon

What have you got in your knapsack fair,
White moon, bright moon, pearling the air,
Spinning your bobbins and fabrics free,
Fleet moon, sweet moon, in to the sea?
Turquoise and beryl and rings of gold,
Clear moon, dear moon, ne’er to be sold?
Roses and lilies, romance and love,
Still moon, chill moon, swinging above?
Slender your feet as a white birds throat,
High moon, shy moon, drifting your boat
Into the murk of the world awhile,
Slim moon, dim moon, adding a smile.
Tender your eyes as a maiden’s kiss,


The New Hieroglyphics

In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.

Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken.  People use their own words.

Latin letters are in it for names, for e.g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure

have escaped their toilet doors.  I (that is, saya,
Ego, watashji wa) am two eyes without pupils;


Silver Filigree

The icicles wreathing
On trees in festoon
Swing, swayed to our breathing:
They're made of the moon.

She's a pale, waxen taper;
And these seem to drip
Transparent as paper
From the flame of her tip.

Molten, smoking a little,
Into crystal they pass;
Falling, freezing, to brittle
And delicate glass.

Each a sharp-pointed flower,
Each a brief stalactite
Which hangs for an hour
In the blue cave of night.


Tithonus

So when the verdure of his life was shed,
With all the grace of ripened manlihead,
And on his locks, but now so lovable,
Old age like desolating winter fell,
Leaving them white and flowerless and forlorn:
Then from his bed the Goddess of the Morn
Softly withheld, yet cherished him no less
With pious works of pitying tenderness;
Till when at length with vacant, heedless eyes,
And hoary height bent down none otherwise
Than burdened willows bend beneath their weight
Of snow when winter winds turn temperate, --


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