The fear was on the cattle, for the gale was on the sea,
An' the pens broke up on the lower deck an' let the creatures free --
An' the lights went out on the lower deck, an' no one near but me.

I had been singin' to them to keep 'em quiet there,
For the lower deck is the dangerousest, requirin' constant care,
An' give to me as the strongest man, though used to drink and swear.

I see my chance was certain of bein' horned or trod,
For the lower deck was packed with steers thicker'n peas in a pod,

Thar showed up out'n Denver in the spring uv '81
A man who'd worked with Dana on the Noo York Sun.
His name wuz Cantell Whoppers, 'nd he wuz a sight ter view
Ez he walked inter the orfice 'nd inquired fer work ter do.
Thar warn't no places vacant then,--fer be it understood,
That wuz the time when talent flourished at that altitood;
But thar the stranger lingered, tellin' Raymond 'nd the rest
Uv what perdigious wonders he could do when at his best,
Till finally he stated (quite by chance) that he hed done
A heap uv work with Dana on the Noo York Sun.

This early morn I woke befuddled; .
Came downstairs to write
These thoughts that in my mind were muddled
Through the stormy night.
It's been two weeks since I've come home
From hernia repair,
To spend so many healing hours
In this reclining chair.

As I recline and think of how
In 'gifting' we have scored,
To mark this anniversary,
We both went overboard.
There's no use beating 'round the bush.
I'll tell it to you straight.
The two of us spent much too much
On this, our twenty eighth.

Reclining chair and oven,

When people aren't asking questions
They're making suggestions
And when they're not doing one of those
They're either looking over your shoulder or stepping on your toes
And then as if that weren't enough to annoy you
They employ you.
Anybody at leisure
Incurs everybody's displeasure.
It seems to be very irking
To people at work to see other people not working,
So they tell you that work is wonderful medicine,
Just look at Firestone and Ford and Edison,
And they lecture you till they're out of breath or something

Money is a kind of poetry.
- Wallace Stevens

Money, the long green,
cash, stash, rhino, jack
or just plain dough.

Chock it up, fork it over,
shell it out. Watch it
burn holes through pockets.

To be made of it! To have it
to burn! Greenbacks, double eagles,
megabucks and Ginnie Maes.

It greases the palm, feathers a nest,
holds heads above water,
makes both ends meet.

Money breeds money.
Gathering interest, compounding daily.
Always in circulation.

When I had money, money, O!
I knew no joy till I went poor;
For many a false man as a friend
Came knocking all day at my door.
Then felt I like a child that holds
A trumpet that he must not blow
Because a man is dead; I dared
Not speak to let this false world know.
Much have I thought of life, and seen
How poor men’s hearts are ever light;
And how their wives do hum like bees
About their work from morn till night.
So, when I hear these poor ones laugh,
And see the rich ones coldly frown—
Poor men, think I, need not go up

It is no vulgar nature I have wived.
Secretive, sensitive, she takes a wound
Deep to her soul, as if the sense had swooned,
And not a thought of vengeance had survived.
No confidences has she: but relief
Must come to one whose suffering is acute.
O have a care of natures that are mute!
They punish you in acts: their steps are brief.
What is she doing? What does she demand
From Providence or me? She is not one
Long to endure this torpidly, and shun
The drugs that crowd about a woman's hand.

OH, listen to the tale of MISTER WILLIAM, if you please,
Whom naughty, naughty judges sent away beyond the seas.
He forged a party's will, which caused anxiety and strife,
Resulting in his getting penal servitude for life.

He was a kindly goodly man, and naturally prone,
Instead of taking others' gold, to give away his own.
But he had heard of Vice, and longed for only once to strike -
To plan ONE little wickedness - to see what it was like.

He argued with himself, and said, "A spotless man am I;

I was miserable, of course, for I was seventeen
and so I swung into action and wrote a poem

and it was miserable, for that was how I thought
poetry worked: you digested experience shat

literature. It was 1960 at The Showplace, long since
defunct, on West 4th st., and I sat at the bar,

casting beer money from a reel of ones,
the kid in the city, big ears like a puppy.

And I knew Mingus was a genius. I knew two
other things, but as it happens they were wrong.

So I made him look at this poem.

It was just like everything else in life:
Something outside myself drew me down,
My own strength never failed me.
Why, there was the time I earned the money
With which to go away to school,
And my father suddenly needed help
And I had to give him all of it.
Just so it went till I ended up
A man-of-all-work in Spoon River.
Thus when I got the water-tower cleaned,
And they hauled me up the seventy feet,
I unhooked the rope from my waist,
And laughingly flung my giant arms
Over the smooth steel lips of the top of the tower --