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Fourth Sunday In Advent

Of the bright things in earth and air
How little can the heart embrace!
Soft shades and gleaming lights are there -
I know it well, but cannot trace.

Mine eye unworthy seems to read
One page of Nature's beauteous book;
It lies before me, fair outspread -
I only cast a wishful look.

I cannot paint to Memory's eye
The scene, the glance, I dearest love -
Unchanged themselves, in me they die,
Or faint or false their shadows prove.

In vain, with dull and tuneless ear,
I linger by soft Music's cell,

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Four-Foot Shelf

I

'Come, see,' said he, 'my four-foot shelf,
A forty volume row;
And every one I wrote myself,
But that, of course, you know.'
I stared, I searched a memory dim,
For though an author too,
Somehow I'd never heard of him,--
None of his books I knew.
II
Said I: 'I'd like to borrow one,
Fond memories to recall.'
Said he: 'I'll gladly give you some,
And autograph them all.'
And so a dozen books he brought,
And signed tome after tome:

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Four Poems for Robin

Siwashing It Out Once in Suislaw Forest

I slept under rhododendron
All nightblossoms fell
Shivering on a sheet of cardboard
Feet stuck in my pack
Hands deepin my pockets
Barelyableto sleep.
I rememberedwhen we were in school
Sleeping together in a big warm bed
We were the youngest lovers
When we broke up we were still nineteen
Now our friends are married
You teachschool back east
I dont mind living this way
Green hills the long blue beach
But sometimes sleeping in the open
I think backwhen I had you.

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Forgetfulness

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

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Forever

I

With you I shall ever be;
Over land and sea
My thoughts will companion you;
With yours shall my laughter chime,
And my step keep time
In the dusk and dew
With yours in blithesome rhyme;
In all of your joy shall I rejoice,
On my lips your sorrow shall find a voice,
And when your tears in bitterness fall
Mine shall mingle with them all;
With you in waking and dream I shall be,
In the place of shadow and memory,
Under young springtime moons,
And on harvest noons,
And when the stars are withdrawn

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Forest Of Europe

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'
Under your exile's tongue, crisp under heel,

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For Scotland

Beyond the Cheviots and the Tweed,
Beyond the Firth of Forth,
My memory returns at speed
To Scotland and the North.

For still I keep, and ever shall,
A warm place in my heart for Scotland,
Scotland, Scotland,
A warm place in my heart for Scotland.

Oh, cruel off St. Andrew's Bay
The winds are wont to blow!
They either rest or gently play,
When there in dreams I go.

And there I wander, young again,
With limbs that do not tire,
Along the coast to Kittock's Den,
With whinbloom all afire.

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For Lillian

She was so dear, so fair. Her memory stays,
Even her dying robs me not of this,
That I have walked with her in mortal ways
Whose tender beauty now immortal is.
There are sweet flowers that bloom in ways forlorn
And sad sweet eyes whose beauty is a flower
Blown in the night to which there is no morn,
Dream-born and dying in its dewy bower;
And she was such a flower, her sweet eyes such;
The secret hours that only the heart knows
Thrill with the glamour of her tone and touch
Like music that is sweetest at the close,

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Follies

Shaken,
The blossoms of lilac,
And shattered,
The atoms of purple.
Green dip the leaves,
Darker the bark,
Longer the shadows.

Sheer lines of poplar
Shimmer with masses of silver
And down in a garden old with years
And broken walls of ruin and story,
Roses rise with red rain-memories.
May!
In the open world
The sun comes and finds your face,
Remembering all.

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Flowers in Winter

How strange to greet, this frosty morn,
In graceful counterfeit of flower,
These children of the meadows, born
Of sunshine and of showers!

How well the conscious wood retains
The pictures of its flower-sown home,
The lights and shades, the purple stains,
And golden hues of bloom!

It was a happy thought to bring
To the dark season's frost and rime
This painted memory of spring,
This dream of summertime.

Our hearts are lighter for its sake,
Our fancy's age renews its youth,

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