Could I reveal the secret joy
Thy presence always with it brings,
The memories so strangely waked
Of long forgotten things,

The love, the hope, the fear, the grief,
Which with that voice come back to me, --
Thou wouldst forgive the impassioned gaze
So often turned on thee.

It was, indeed, that early love,
But foretaste of this second one, --
The soft light of the morning star
Before the morning sun.

The same dark beauty in her eyes,
The same blonde hair and placid brow,
The same deep-meaning, quiet smile

I heard or seemed to hear the chiding Sea
Say, Pilgrim, why so late and slow to come?
Am I not always here, thy summer home?
Is not my voice thy music, morn and eve?
My breath thy healthful climate in the heats,
My touch thy antidote, my bay thy bath?
Was ever building like my terraces?
Was ever couch magnificent as mine?
Lie on the warm rock-ledges, and there learn
A little hut suffices like a town.
I make your sculptured architecture vain,
Vain beside mine. I drive my wedges home,
And carve the coastwise mountain into caves.

'Twas in the year of 1869, and on the 19th of November,
Which the people in Southern Germany will long remember,
The great rain-storm which for twenty hours did pour down,
That the rivers were overflowed and petty streams all around.

The rain fell in such torrents as had never been seen before,
That it seemed like a second deluge, the mighty torrents' roar,
At nine o'clock at night the storm did rage and moan
When Carl Springel set out on his crutches all alone --

From the handsome little hut in which he dwelt,

"Form follows function follows form . . . , etc."

--Dr. J. Anthony Wadlington

Here I am writing my first villanelle
At seventy-two, and feeling old and tired--
"Hey, Pops, why dontcha give us the old death knell?"--

And writing it what's more on the rim of hell
In blazing Arizona when all I desired
Was north and solitude and not a villanelle,

Working from memory and not remembering well
How many stanzas and in what order, wired
On Mexican coffee, seeing the death knell

That face which no man ever saw
And from his memory banished quite,
With eyes in which are Hamlet's awe
And Cardinal Richelieu's subtle light,
Looks from this frame. A master's hand
Has set the master player here,
In the fair temple that he planned
Not for himself. To us most dear
This image of him! "It was thus
He looked; such pallor touched his cheek;
With that same grace he greeted us--
Nay, 't is the man, could it but speak!"
Sad words that shall be said some day--
Far fall the day! O cruel Time,

Guns on the battle lines have pounded now a year
between Brussels and Paris.
And, William Morris, when I read your old chapter on
the great arches and naves and little whimsical
corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
you're down in the damp and mouldy, only a memory
instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
shape of those stones piled and carved for you to

The face of the precipice is black with lovers;
The sun above them is a bag of nails; the spring's
First rivers hide among their hair.
Goliath plunges his hand into the poisoned well
And bows his head and feels my feet walk through his brain.
The children chasing butterflies turn round and see him there
With his hand in the well and my body growing from his head,
And are afraid. They drop their nets and walk into the wall like smoke.

The smooth plain with its mirrors listens to the cliff
Like a basilisk eating flowers.

Though not for common praise of him,
Nor yet for pride or charity,
Still would I make to Vanderberg
One tribute for his memory:

One honest warrant of a friend
Who found with him that flesh was grass—
Who neither blamed him in defect
Nor marveled how it came to pass;

Or why it ever was that he—
That Vanderberg, of all good men,
Should lose himself to find himself,
Straightway to lose himself again.

For we had buried Sainte-Nitouche,
And he had said to me that night:
“Yes, we have laid her in the earth,

I
AWAKE! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

II
Dreaming when Dawn's Left Hand was in the Sky
I heard a Voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

III
And, as the Cock crew, those who stood before
The Tavern shouted--"Open then the Door!
You know how little while we have to stay,

After a long and wretched flight
That stretched from daylight into night,
Where babies wept and tempers shattered
And the plane lurched and whiskey splattered
Over my plastic food, I came
To claim my bags from Baggage Claim

Around, the carousel went around
The anxious travelers sought and found
Their bags, intact or gently battered,
But to my foolish eyes what mattered
Was a brave suitcase, red and small,
That circled round, not mine at all.

I knew that bag. It must be hers.
We hadnt met in seven years!