Sing little box

Don't let sleep overtake you
The world's awake within you

In your four-sided emptiness
We turn distance into nearness
Forgetfulness into memory

Don't let your nails come loose

For the very first time
We watch sights beyond this world
Through your keyhole

Turn your key in our mouths
Swallow words and numbers
Out of your song

Don't let your lid fly open
Your bottom drop

Sing little box

I speak to you across cities
I speak to you across plains

My mouth is upon your pillow

Both faces of the walls come meeting
My voice discovering you

I speak to you of eternity

O cities memories of cities
Cities wrapped in our desires
Cities come early cities come lately
Cities strong and cities secret
Plundered of their master's builders
All their thinkers all their ghosts

Fields pattern of emerald
Bright living surviving
The harvest of the sky over our earth
Feeds my voice I dream and weep

(Deathless Death)

At eve when the brief wintry day is sped,
I muse beside my fire's faint-flickering glare-
Conscious of wrinkling face and whitening hair-
Of those who, dying young, inherited
The immortal youthfulness of the early dead.
I think of Raphael's grand-seigneurial air;
Of Shelley and Keats, with laurels fresh and fair
Shining unwithered on each sacred head;
And soldier boys who snatched death's starry prize,
With sweet life radiant in their fearless eyes,
The dreams of love upon their beardless lips,

Though thou art now a ruin bare and cold,
Thou wert sometime the garden of a king.
The birds have sought a lovelier place to sing.
The flowers are few. It was not so of old.
It was not thus when hand in hand there strolled
Through arbors perfumed with undying Spring
Bare bodies beautiful, brown, glistening,
Decked with green plumes and rings of yellow gold.
Do you suppose the herdsman sometimes hears
Vague echoes borne beneath the moon's pale ray
From those old, old, far-off, forgotten years?

I

I would that folk forgot me quite,
   Forgot me quite!
I would that I could shrink from sight,
   And no more see the sun.
Would it were time to say farewell,
To claim my nook, to need my knell,
Time for them all to stand and tell
   Of my day's work as done.

II

Ah! dairy where I lived so long,
   I lived so long;
Where I would rise up stanch and strong,
   And lie down hopefully.
'Twas there within the chimney-seat

ARGUMENT.

Telling you all would take too long.
Besides, we read in the Bible
how the good is harmful
and how misfortune is good.

Let's invite something new
by unifying our silences;
if, then and there, we advance,
we'll know it soon enough.

And yet towards evening,
when his memory is persistent,
one belated curiousity
stops him before the mirror.

We don't know if he is frightened.
But he stays, he is engrossed,
and, facing his reflection,
transports himself somewhere else.

TELL me why, behind thee,
I see always the shadow of another lover?
Is it real
Or is this the thrice-damned memory of a better happiness?
Plague on him if he be dead
Plague on him if he be alive
A swinish numbskull
To intrude his shade
Always between me and my peace.

in memory of
the spring now passing
I drew
the long clusters of wisteria
that move like waves

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?
All other things must change too.