Sonnet 144 Two loves I have, of comfort and despair

Two loves I have, of comfort and despair,
Which like two spirits do suggest me still:
The better angel is a man right fair,
The worser spirit a woman coloured ill.
To win me soon to hell, my female evil
Tempteth my better angel from my side,
And would corrupt my saint to be a devil,
Wooing his purity with her foul pride.
And whether that my angel be turned fiend,
Suspect I may, yet not directly tell;
But being both from me both to each friend,
I guess one angel in another's hell.


Sonnet 142 Love is my sin, and thy dear virtue hate

Love is my sin, and thy dear virtue hate,
Hate of my sin, grounded on sinful loving,
O, but with mine, compare thou thine own state,
And thou shalt find it merits not reproving,
Or if it do, not from those lips of thine
That have profaned their scarlet ornaments
And sealed false bonds of love as oft as mine,
Robbed others' beds' revenues of their rents.
Be it lawful I love thee as thou lov'st those
Whom thine eyes woo as mine importune thee.
Root pity in thy heart, that when it grows
Thy pity may deserve to pitied be.


Sonnet 141 In faith, I do not love thee with mine eyes

In faith, I do not love thee with mine eyes,
For they in thee a thousand errors note;
But 'tis my heart that loves what they despise,
Who in despite of view is pleased to dote.
Nor are mine cars with thy tongue's tune delighted,
Nor tender feeling to base touches prone,
Nor taste, nor smell, desire to be invited
To any sensual feast with thee alone;
But my five wits, nor my five senses can
Dissuade one foolish heart from serving thee,
Who leaves unswayed the likeness of a man,


Sonnet 138 When my love swears that she is made of truth

When my love swears that she is made of truth
I do believe her, though I know she lies,
That she might think me some untutored youth,
Unlearnèd in the world's false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false-speaking tongue;
On both sides thus is simple truth suppressed.
But wherefore says she not she is unjust?
And wherefore say not I that I am old?
O, love's best habit is in seeming trust,


Sonnet 137 Thou blind fool, Love, what dost thou to mine eyes

Thou blind fool, Love, what dost thou to mine eyes
That they behold and see not what they see?
They know what beauty is, see where it lies,
Yet what the best is, take the worst to be.
If eyes corrupt by overpartial looks,
Be anchored in the bay where all men ride,
Why of eyes' falsehood hast thou forgèd hooks,
Whereto the judgment of my heart is tied?
Why should my heart think that a several plot
Which my heart knows the wide world's common place?
Or mine eyes seeing this, say this is not


Sonnet 132 Thine eyes I love, and they, as pitying me

Thine eyes I love, and they, as pitying me,
Knowing thy heart torment me with disdain,
Have put on black, and loving mourners be,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east,
Nor that full star that ushers in the even
Doth half that glory to the sober west
As those two mourning eyes become thy face.
O, let it then as well beseem thy heart
To mourn for me since mourning doth thee grace,
And suit thy pity like in every part.


Sonnet 13 O, that you were your self But, love, you are

O, that you were your self! But, love, you are
No longer yours than you yourself here live.
Against this coming end you should prepare,
And your sweet semblance to some other give.
So should that beauty which you hold in lease
Find no determination; then you were
Yourself again after yourself's decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold
Against the stormy gusts of winter's day
And barren rage of death's eternal cold?


Sonnet 126 O thou, my lovely boy, who in thy power

O thou, my lovely boy, who in thy power
Dost hold Time's fickle glass his fickle hour;
Who hast by waning grown, and therein show'st
Thy lovers withering, as thy sweet self grow'st.
If Nature, sovereign mistress over wrack,
As thou goest onwards, still will pluck thee back,
She keeps thee to this purpose, that her skill
May Time disgrace, and wretched minutes kill.
Yet fear her, O thou minion of her pleasure!
She may detain, but not still keep her treasure.
Her audit, though delayed, answered must be,


Sonnet 115 Those lines that I before have writ do lie

Those lines that I before have writ do lie,
Even those that said I could not love you dearer;
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer,
But reckoning Time, whose millioned accidents
Creep in 'twixt vows, and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of alt'ring things—
Alas, why, fearing of Time's tyranny,
Might I not then say, "Now I love you best,"
When I was certain o'er incertainty,


Sonnet 112 Your love and pity doth th' impression fill

Your love and pity doth th' impression fill
Which vulgar scandal stamped upon my brow;
For what care I who calls me well or ill,
So you o'ergreen my bad, my good allow?
You are my all the world, and I must strive
To know my shames and praises from your tongue;
None else to me, nor I to none alive,
That my steeled sense or changes, right or wrong.
In so profound abysm I throw all care
Of others' voices that my adder's sense
To critic and to flatterer stoppèd are.
Mark how with my neglect I do dispense.


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