love poems

When my love swears that she is made of truth
I do believe her, though I know she lies,
That she might think me some untutored youth,
Unlearnèd in the world's false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false-speaking tongue;
On both sides thus is simple truth suppressed.
But wherefore says she not she is unjust?
And wherefore say not I that I am old?
O, love's best habit is in seeming trust,

Thou blind fool, Love, what dost thou to mine eyes
That they behold and see not what they see?
They know what beauty is, see where it lies,
Yet what the best is, take the worst to be.
If eyes corrupt by overpartial looks,
Be anchored in the bay where all men ride,
Why of eyes' falsehood hast thou forgèd hooks,
Whereto the judgment of my heart is tied?
Why should my heart think that a several plot
Which my heart knows the wide world's common place?
Or mine eyes seeing this, say this is not

Thine eyes I love, and they, as pitying me,
Knowing thy heart torment me with disdain,
Have put on black, and loving mourners be,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east,
Nor that full star that ushers in the even
Doth half that glory to the sober west
As those two mourning eyes become thy face.
O, let it then as well beseem thy heart
To mourn for me since mourning doth thee grace,
And suit thy pity like in every part.

O, that you were your self! But, love, you are
No longer yours than you yourself here live.
Against this coming end you should prepare,
And your sweet semblance to some other give.
So should that beauty which you hold in lease
Find no determination; then you were
Yourself again after yourself's decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold
Against the stormy gusts of winter's day
And barren rage of death's eternal cold?

O thou, my lovely boy, who in thy power
Dost hold Time's fickle glass his fickle hour;
Who hast by waning grown, and therein show'st
Thy lovers withering, as thy sweet self grow'st.
If Nature, sovereign mistress over wrack,
As thou goest onwards, still will pluck thee back,
She keeps thee to this purpose, that her skill
May Time disgrace, and wretched minutes kill.
Yet fear her, O thou minion of her pleasure!
She may detain, but not still keep her treasure.
Her audit, though delayed, answered must be,

Those lines that I before have writ do lie,
Even those that said I could not love you dearer;
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer,
But reckoning Time, whose millioned accidents
Creep in 'twixt vows, and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of alt'ring things—
Alas, why, fearing of Time's tyranny,
Might I not then say, "Now I love you best,"
When I was certain o'er incertainty,

Your love and pity doth th' impression fill
Which vulgar scandal stamped upon my brow;
For what care I who calls me well or ill,
So you o'ergreen my bad, my good allow?
You are my all the world, and I must strive
To know my shames and praises from your tongue;
None else to me, nor I to none alive,
That my steeled sense or changes, right or wrong.
In so profound abysm I throw all care
Of others' voices that my adder's sense
To critic and to flatterer stoppèd are.
Mark how with my neglect I do dispense.

Alas, 'tis true, I have gone here and there,
And made myself a motley to the view,
Gored mine own thoughts, sold cheap what is most dear,
Made old offences of affections new.
Most true it is that I have looked on truth
Askance and strangely. But, by all above,
These blenches gave my heart another youth,
And worse essays proved thee my best of love.
Now all is done, have what shall have no end,
Mine appetite I never more will grind
On newer proof, to try an older friend,
A god in love, to whom I am confined.

Let not my love be called idolatry,
Nor my belovèd as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Kind is my love today, tomorrow kind,
Still constant in a wondrous excellence;
Therefore my verse to constancy confined,
One thing expressing, leaves out difference.
"Fair, kind, and true" is all my argument,
"Fair, kind, and true" varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.

My love is strengthened, though more weak in seeming;
I love not less, though less the show appear;
That love is merchandized, whose rich esteeming
The owner's tongue doth publish everywhere.
Our love was new, and then but in the spring
When I was wont to greet it with my lays,
As Philomel in summer's front doth sing,
And stops her pipe in growth of riper days—
Not that the summer is less pleasant now
Than when her mournful hymns did hush the night,
But that wild music burthens every bough,