light

Tons upon tons the brown-green fragrant hay
O'erbrims the mows beyond the time-warped eaves,
Up to the rafters where the spider weaves,
Though few flies wander his secluded way.
Through a high chink one lonely golden ray,
Wherein the dust is dancing, slants unstirred.
In the dry hush some rustlings light are heard,
Of winter-hidden mice at furtive play.
Far down, the cattle in their shadowed stalls,
Nose-deep in clover fodder's meadowy scent,

Someone was calling someone;
now they've stopped. Beyond the glass
the rose vines quiver as in
a light wind, but there is none:
I hear nothing. The moments pass,
or seem to pass, and the sun,
risen above the old birch,
steadies for the downward arch.

It is noon. Privacy is
one thing, but to be alone,
to speak and not to be heard,
to speak again the same word
or another until one
can no longer distinguish
the presence of silence or
what the silence is there for...

The darkened street was muffled with the snow,
The falling flakes had made your shoulders white,
And when we found a shelter from the night
Its glamor fell upon us like a blow.
The clash of dishes and the viol and bow
Mingled beneath the fever of the light.
The heat was full of savors, and the bright
Laughter of women lured the wine to flow.
A little child ate nothing while she sat
Watching a woman at a table there
Learn to kiss beneath a drooping hat.
The hour went by, we rose and turned to go,

We stood in the shrill electric light,
Dumb and sick in the whirling din
We who had all of love to say
And a single second to say it in.

"Good-by!" "Good-by!"--you turned to go,
I felt the train's slow heavy start,
You thought to see me cry, but oh
My tears were hidden in my heart.

Children of my happier prime,
When One yet lived with me, and threw
Her rainbow over life and time,
Even Hope, my bride, and mother to you!
O, nurtured in sweet pastoral air,
And fed on flowers and light and dew
Of morning meadows -spare, ah, spare
Reproach; spare, and upbraid me not
That, yielding scarce to reckless mood,
But jealous of your future lot,
I sealed you in a fate subdued.
Have I not saved you from the dread
Theft, and ignoring which need be
The triumph of the insincere

Immortal love, forever full,
Forever flowing free,
Forever shared, forever whole,
A never ebbing sea!

Our outward lips confess the name
All other names above;
Love only knoweth whence it came,
And comprehendeth love.

Blow, winds of God, awake and blow
The mists of earth away:
Shine out, O Light divine, and show
How wide and far we stray.

We may not climb the heavenly steeps
To bring the Lord Christ down;
In vain we search the lowest deeps,
For Him no depths can drown.

How can I wait until you come to me?
The once fleet mornings linger by the way;
Their sunny smiles touched with malicious glee
At my unrest, they seem to pause, and play
Like truant children, while I sigh and say,
How can I wait?

How can I wait? Of old, the rapid hours
Refused to pause or loiter with me long;
But now they idly fill their hands with flowers,
And make no haste, but slowly stroll among
The summer blooms, not heeding my one song,
How can I wait?

(AN ECHO FROM A LARGER LYRE.)


That was love that I had before
Years ago, when my heart was young;
Ev'ry smile was a gem you wore;
Ev'ry word was a sweet song sung.

You came--all my pulses burn'd and beat.
(O sweet wild throbs of an early day!)
You went--with the last dear sound of your feet
The light wax'd dim and the place grew grey.

And I us'd to pace with a stealthy tread
By a certain house which is under a hill;
A cottage stands near, wall'd white, roof'd red--

In a lonesome burial-place
Crouched a mourner white of face;
Wild her eyes--unheeding
Circling pomp of night and day--
Ever crying, "Well away,
Love lies a-bleeding!"

And her sighs were like a knell,
And her tears for ever fell,
With their warm rain feeding
That purpureal flower, alas!
Trailing prostrate in the grass,
Love lies a-bleeding.

Through the yews' black-tufted gloom
Crimson light fell on the tomb,
Funeral shadows breeding:
In the sky the sun's light shed

The alder shudders in the April winds
off the moon. No one is awake and yet
sunlight streams across
the hundred still beds
of the public wards
for children. At ten
do we truly sleep
in a blessed sleep
guarded by angels
and social workers?
Do we dream of gold
found in secret trunks
in familiar rooms?
Do we talk to cats
and dogs? I think not.
I think when I was
ten I was almost
an adult, slightly
less sentimental
than now and better