light

The serpents are asleep among the poppies,
The fireflies light the soundless panther's way
To tangled paths where shy gazelles are straying,
And parrot-plumes outshine the dying day.
O soft! the lotus-buds upon the stream
Are stirring like sweet maidens when they dream.


A caste-mark on the azure brows of Heaven,
The golden moon burns sacred, solemn, bright
The winds are dancing in the forest-temple,
And swooning at the holy feet of Night.
Hush! in the silence mystic voices sing

I—THE LURE

No, no,—forget your Cricket and your Ant,
For I shall never set my name to theirs
That now bespeak the very sons and heirs
Incarnate of Queen Gossip and King Cant.
The case of Leffingwell is mixed, I grant,
And futile Seems the burden that he bears;
But are we sounding his forlorn affairs
Who brand him parasite and sycophant?

I tell you, Leffingwell was more than these;
And if he prove a rather sorry knight,
What quiverings in the distance of what light

I.

PLACE. -- A small alcove with dark curtains.
The class consists of one member.
SUBJECT. -- Thomson’s Mirror Galvanometer.


The lamp-light falls on blackened walls,
And streams through narrow perforations,
The long beam trails o’er pasteboard scales,
With slow-decaying oscillations.
Flow, current, flow, set the quick light-spot flying,
Flow current, answer light-spot, flashing, quivering, dying,

O look! how queer! how thin and clear,
And thinner, clearer, sharper growing

Now Nature hangs her mantle green
On every blooming tree,
And spreads her sheets o' daises white
Out o'er the grassy lea
Now Pheebus cheers the crystal streams,
And glads the azure skies;
But nought can glad the weary wight
That fast in durance lies.

Now laverocks wake the merry morn
Aloft on dewy wing;
The merle, in his noontide bow'r,
Makes woodland echoes ring;
The mavis wild ai' mony a note,
Sings drowsy day to reast
In love and freedom they rejoice,

We will lay our summer away, my friend,
So tenderly lay it away.
It was bright and sweet to the very end,
Like one long, golden day.
Nothing sweeter could come to me,
Nothing sweeter to you.
We will lay it away, and let it be,
Hid from the whole world’s view.

We will lay it away like a dear, dead thing –
Dead, yet for ever fair;
And the fresh green robes of a deathless spring,
Though dead, it shall alaways wear.
We will not hide it in grave or tomb,
But lay it away to sleep,

Late came the God, having sent his forerunners who were
not regarded--
Late, but in wrath;
Saying: "The wrong shall be paid, the contempt be rewarded
On all that she hath."
He poisoned the blade and struck home, the full bosom receiving
The wound and the venom in one, past cure or relieving.
He made treaty with Time to stand still that the grief might
be fresh--
Daily renewed and nightly pursued through her soul to her
flesh--
Mornings of memory, noontides of agony, midnights unslaked
for her,

Late, late, so late! and dark the night and chill!
Late, late, so late! but we can enter still.
Too late, too late! ye cannot enter now.
No light had we: for that we do repent;
And learning this, the bridegroom will relent.
Too late, too late! ye cannot enter now.
No light: so late! and dark and chill the night!
O, let us in, that we may find the light!
Too late, too late: ye cannot enter now.

Have we not heard the bridgegroom is so sweet?
O, let us in, tho' late, to kiss his feet!

Rain filled the streets
once a year, rising almost
to door and window sills,
battering walls and roofs
until it cleaned away the mess
we'd made. My father told
me this, he told me it ran
downtown and spilled into
the river, which in turn
emptied finally into the sea.
He said this only once
while I sat on the arm
of his chair and stared out
at the banks of gray snow
melting as the March rain
streaked past. All the rest
of that day passed on

If the shoe fell from the other foot
who would hear? If the door
opened onto a pure darkness
and it was no dream? If your life
ended the way a book ends
with half a blank page and the survivors
gone off to Africa or madness?
If my life ended in late spring
of 1964 while I walked alone
back down the mountain road?
I sing an old song to myself. I study
the way the snow remains, gray
and damp, in the deep shadows of the firs.
I wonder if the bike is safe hidden

Comrades, if I don't live to see the day
-- I mean,if I die before freedom comes --
take me away
and bury me in a village cemetery in Anatolia.

The worker Osman whom Hassan Bey ordered shot
can lie on one side of me, and on the other side
the martyr Aysha, who gave birth in the rye
and died inside of forty days.

Tractors and songs can pass below the cemetery --
in the dawn light, new people, the smell of burnt gasoline,
fields held in common, water in canals,
no drought or fear of the police.