light

He cried out through the night:
"Where is the light?
Shall nevermore
Open Heaven's door?
Oh, I am left
Lonely, bereft!"
He cried out through the night:
It spread vaguely white,
With its ghost of a moon
Above the dark swoon
Of the earth lying chill,
Breathless, grave still.
He cried out through the night:
His voice in its might
Rang forth far and far,
And then like a star
Dwindled from sense
In the Immense.
He cried out through the night:

Thistle and darnell and dock grew there,
And a bush, in the corner, of may,
On the orchard wall I used to sprawl
In the blazing heat of the day;

Half asleep and half awake,
While the birds went twittering by,
And nobody there my lone to share
But Nicholas Nye.

Nicholas Nye was lean and gray,
Lame of leg and old,
More than a score of donkey's years
He had been since he was foaled;
He munched the thistles, purple and spiked,
Would sometimes stoop and sigh,

A near horizon whose sharp jags
Cut brutally into a sky
Of leaden heaviness, and crags
Of houses lift their masonry
Ugly and foul, and chimneys lie
And snort, outlined against the gray
Of lowhung cloud. I hear the sigh
The goaded city gives, not day
Nor night can ease her heart, her anguished labours stay.

Below, straight streets, monotonous,
From north and south, from east and west,
Stretch glittering; and luminous
Above, one tower tops the rest
And holds aloft man's constant quest:

From the depth of the dreamy decline of the dawn through a notable nimbus of nebulous noonshine,
Pallid and pink as the palm of the flag-flower that flickers with fear of the flies as they float,
Are they looks of our lovers that lustrously lean from a marvel of mystic miraculous moonshine,
These that we feel in the blood of our blushes that thicken and threaten with throbs through the throat?
Thicken and thrill as a theatre thronged at appeal of an actor's appalled agitation,

When I attended Mass today
A coloured maid sat down by me,
And as I watched her kneel and pray,
Her reverence was good to see.
For whether there may be or no'
A merciful and mighty God,
The love for Him is like a glow
That glorifies the meanest clod.

And then a starched and snotty dame
Who sat the other side of me
Said: "Monsieur, is it not a shame
Such things should be allowed to be?
In my homeland, I'm proud to say,
We know to handle niggers right,
And wouldn't let a black wench pray

I and new love, in all its living bloom,
Sat vis-à-vis, while tender twilight hours
Went softly by us, treading as on flowers.
Then suddenly I saw within the room
The old love, long since lying in its tomb.
It dropped the cerecloth from its fleshless face
And smiled on me, with a remembered grace
That, like the noontide, lit the gloaming gloom.

Upon its shroud there hung the grave’s green mould,
About it hung the odour of the dead;
Yet from its cavernous eyes such light was shed

Already blushes in thy cheek
The bosom-thought which thou must speak;
The bird, how far it haply roam
By cloud or isle, is flying home;
The maiden fears, and fearing runs
Into the charmed snare she shuns;
And every man, in love or pride,
Of his fate is never wide.

Will a woman's fan the ocean smooth?
Or prayers the stony Parcae sooth,
Or coax the thunder from its mark?
Or tapers light the chaos dark?
In spite of Virtue and the Muse,
Nemesis will have her dues,

Ne'er ask the hour -- what is it to us
How Time deals out his treasures?
The golden moments lent us thus
Are not his coin, but Pleasure's.
If counting them o'er could add to their blisses,
I'd number each glorious second:
But moments of joy are, like Lesbia's kisses,
Too quick and sweet to be reckon'd.
Then fill the cup -- what is it to us
How time his circle measures?
The fairy hours we call up thus
Obey no wand but Pleasure's.

Young Joy ne'er thought of counting hours,

The bed of flowers

Loosens amain,
The beauteous snowdrops

Droop o'er the plain.
The crocus opens

Its glowing bud,
Like emeralds others,

Others, like blood.
With saucy gesture

Primroses flare,
And roguish violets,

Hidden with care;
And whatsoever

There stirs and strives,
The Spring's contented,

If works and thrives.

'Mongst all the blossoms

That fairest are,
My sweetheart's sweetness

Is sweetest far;
Upon me ever

August, 1842
with a remembrance of August, 1807


I gaze, where August's sunbeam falls
Along these grey and lonely walls,
Till in its light absorbed appears
The lapse of five-and-thirty years.

If change there be, I trace it not
In all this consecrated spot:
No new imprint of Ruin's march
On roofless wall and frameless arch:
The hilss, the woods, the fields, the stream,
Are basking in the self-same beam:
The fall, that turns the unseen mill
As then it murmured, murmurs still: