light

There dwells a wife by the Northern Gate,
And a wealthy wife is she;
She breeds a breed o' rovin' men
And casts them over sea.

And some are drowned in deep water,
And some in sight o' shore,
And word goes back to the weary wife
And ever she sends more.

For since that wife had gate or gear,
Or hearth or garth or bield,
She willed her sons to the white harvest,
And that is a bitter yield.

She wills her sons to the wet ploughing,
To ride the horse of tree,

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .

One who sees the Light!
Also sees the Darkness
Not seeing through the Darkness
But seeing the Darkness itself

One who sees the Light!
Would know
He or she has seen the Light
And would never say

Does the Light really exist?
Does the Darkness really exist?
One who sees the Light!
Would be always

Jolly
Big hearted
And someone
To have around

I ain't afeard uv snakes, or toads, or bugs, or worms, or mice,
An' things 'at girls are skeered uv I think are awful nice!
I'm pretty brave, I guess; an' yet I hate to go to bed,
For, when I'm tucked up warm an' snug an' when my prayers are said,
Mother tells me "Happy dreams!" and takes away the light,
An' leaves me lyin' all alone an' seein' things at night!

Sometimes they're in the corner, sometimes they're by the door,
Sometimes they're all a-standin' in the middle uv the floor;

Not till the freezing blast is still,
Till freely leaps the sparkling rill,
And gales sweep soft from summer skies,
As o'er a sleeping infant's eyes
A mother's kiss; ere calls like these,
No sunny gleam awakes the trees,
Nor dare the tender flowerets show
Their bosoms to th' uncertain glow.

Why then, in sad and wintry time,
Her heavens all dark with doubt and crime,
Why lifts the Church her drooping head,
As though her evil hour were fled?
Is she less wise than leaves of spring,

O for a sculptor's hand,
That thou might'st take thy stand,
Thy wild hair floating on the eastern breeze,
Thy tranced yet open gaze
Fixed on the desert haze,
As one who deep in heaven some airy pageant sees.

In outline dim and vast
Their fearful shadows cast
This giant forms of empires on their way
To ruin: one by one
They tower and they are gone,
Yet in the Prophet's soul the dreams of avarice stay.

No sun or star so bright
In all the world of light

Could I reveal the secret joy
Thy presence always with it brings,
The memories so strangely waked
Of long forgotten things,

The love, the hope, the fear, the grief,
Which with that voice come back to me, --
Thou wouldst forgive the impassioned gaze
So often turned on thee.

It was, indeed, that early love,
But foretaste of this second one, --
The soft light of the morning star
Before the morning sun.

The same dark beauty in her eyes,
The same blonde hair and placid brow,

The old moon is tarnished
With smoke of the flood,
The dead leaves are varnished
With colour like blood.

A treacherous smiler
With teeth white as milk,
A savage beguiler
In sheathings of silk

The sea creeps to pillage,
She leaps on her prey;
A child of the village
Was murdered today.

She came up to meet him
In a smooth golden cloak,
She choked him and beat him
to death, for a joke.

Her bright locks were tangled,
She shouted for joy

A city clerk, but gently born and bred;
His wife, an unknown artist's orphan child--
One babe was theirs, a Margaret, three years old:
They, thinking that her clear germander eye
Droopt in the giant-factoried city-gloom,
Came, with a month's leave given them, to the sea:
For which his gains were dock'd, however small:
Small were his gains, and hard his work; besides,
Their slender household fortunes (for the man
Had risk'd his little) like the little thrift,
Trembled in perilous places o'er a deep:

Scrambled eggs and whiskey
in the false-dawn light. Chicago,
a sweet town, bleak, God knows,
but sweet. Sometimes. And
weren't we fine tonight?
When Hank set up that limping
treble roll behind me
my horn just growled and I
thought my heart would burst.
And Brad M. pressing with the
soft stick and Joe-Anne
singing low. Here we are now
in the White Tower, leaning
on one another, too tired
to go home. But don't say a word,
don't tell a soul, they wouldn't
understand, they couldn't, never