light

I see thine image through my tears to-night,
And yet to-day I saw thee smiling. How
Refer the cause?--Beloved, is it thou
Or I, who makes me sad? The acolyte
Amid the chanted joy and thankful rite
May so fall flat, with pale insensate brow,
On the altar-stair. I hear thy voice and vow,
Perplexed, uncertain, since thou art out of sight,
As he, in his swooning ears, the choir's amen.
Beloved, dost thou love? or did I see all
The glory as I dreamed, and fainted when
Too vehement light dilated my ideal,

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose

And wilt thou have me fashion into speech
The love I bear thee, finding words enough,
And hold the torch out, while the winds are rough,
Between our faces, to cast light upon each?
I drop it at thy feet. I cannot teach
My hand to hold my spirit so far off
From myself.. me.. that I should bring thee proof,
In words of love hid in me...out of reach.
Nay, let the silence of my womanhood
Commend my woman-love to thy belief,
Seeing that I stand unwon (however wooed)
And rend the garment of my life in brief

When I consider how my light is spent
Ere half my days in this dark world and wide,
And that one talent which is death to hide
Lodg'd with me useless, though my soul more bent
To serve therewith my Maker, and present
My true account, lest he returning chide,
"Doth God exact day-labour, light denied?"
I fondly ask. But Patience, to prevent
That murmur, soon replies: "God doth not need
Either man's work or his own gifts: who best

There are some qualities- some incorporate things,
That have a double life, which thus is made
A type of that twin entity which springs
From matter and light, evinced in solid and shade.
There is a two-fold Silence- sea and shore-
Body and soul. One dwells in lonely places,
Newly with grass o'ergrown; some solemn graces,
Some human memories and tearful lore,
Render him terrorless: his name's "No More."
He is the corporate Silence: dread him not!

Come Sleep! O Sleep, the certain knot of peace,
The baiting-place of wit, the balm of woe,
The poor man's wealth, the prisoner's release,
Th' indifferent judge between the high and low.
With shield of proof shield me from out the prease
Of those fierce darts despair at me doth throw:
O make in me those civil wars to cease;
I will good tribute pay, if thou do so.
Take thou of me smooth pillows, sweetest bed,
A chamber deaf to noise and blind to light,
A rosy garland and a weary head:

Though dusty wits dare scorn astrology,
And fools can think those lamps of purest light
Whose numbers, ways, greatness, eternity,
Promising wonders, wonder do invite,

To have for no cause birthright in the sky,
But for to spangle the black weeds of night:
Or for some brawl, which in that chamber high,
They should still dance to please a gazer's sight;

For me, I do Nature unidle know,
And know great causes, great effects procure:
And know those bodies high reign on the low.

You that do search for every purling spring,
Which from the ribs of old Parnassus flows,
And every flower, not sweet perhaps, which grows
Near thereabouts, into your poesy wring;

You that do dictionary's method bring
Into your rimes, running in rattling rows;
You that poor Petrarch's long-deceased woes,
With new-born sighs and denizen'd wit do sing,

You take wrong ways: those far-fet helps be such
As do bewray a want of inward touch:
And sure at length stol'n goods do come to light.

Love, born in Greece, of late fled from his native place,
Forc'd by a tedious proof, that Turkish harden'd heart
Is no fit mark to pierce with his fine pointed dart,
And pleas'd with our soft peace, stayed here his flying race.

But finding these north climes do coldly him embrace,
Not used to frozen clips, he strave to find some part
Where with most ease and warmth he might employ his art:
At length he perch'd himself in Stella's joyful face,

Whose fair skin, beamy eyes, like morning sun on snow,

When Nature made her chief work, Stella's eyes,
In color black why wrapp'd she beams so bright?
Would she in beamy black, like painter wise,
Frame daintiest lustre, mix'd of shades and light?

Or did she else that sober hue devise,
In object best to knit and strength our sight,
Lest if no veil those brave gleams did disguise,
They sun-like should more dazzle than delight?

Or would she her miraculous power show,
That whereas black seems Beauty's contrary,
She even if black doth make all beauties flow?