In the dawn of the day when the sea and the earth
Reflected the sunrise above,
I set forth with a heart full of courage and mirth
To seek for the Kingdom of Love.
I asked of a Poet I met on the way
Which cross-road would lead me aright.
And he said: "Follow me, and not long you shall see
Its glittering turrets of light."

And soon in the distance a city shone fair,
"Look yonder," he said; "how it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the "Kingdom of Dreams."

Dark, dark, lay the drifters, against the red west,
As they shot their long meshes of steel overside;
And the oily green waters were rocking to rest
When Kilmeny went out, at the turn of the tide.
And nobody knew where that lassie would roam,
For the magic that called her was tapping unseen.
It was well nigh a week ere Kilmeny came home,
And nobody knew hwere Kilmeny had been.

She'd a gun at her bow that was Newcastle's best,
And a gun at her stern that was fresh from the Clyde,
And a secret her skipper had never confessed,

I gazed upon the glorious sky
And the green mountains round,
And thought that when I came to lie
At rest within the ground,
"Twere pleasant, that in flowery June,
When brooks send up a cheerful tune,
And groves a joyous sound,
The sexton's hand, my grave to make,
The rich, green mountain-turf should break.

A cell within the frozen mould,
A coffin borne through sleet,
And icy clods above it rolled,
While fierce the tempests beat--
Away!--I will not think of these--
Blue be the sky and soft the breeze,

Then a woman said, "Speak to us of Joy and Sorrow."

And he answered:

Your joy is your sorrow unmasked.

And the selfsame well from which your laughter rises was oftentimes filled with your tears.

And how else can it be?

The deeper that sorrow carves into your being, the more joy you can contain.

Is not the cup that hold your wine the very cup that was burned in the potter's oven?

And is not the lute that soothes your spirit, the very wood that was hollowed with knives?

Oh, mighty city of New York, you are wonderful to behold--
Your buildings are magnificent-- the truth be it told--
They were the only thing that seemed to arrest my eye,
Because many of them are thirteen storeys high;

And as for Central Park, it is lovely to be seen--
Especially in the summer season when its shrubberies are green
And the Burns Statue is there to be seen,
Surrounded by trees on the beautiful sward so green;
Also Shakespeare and the immortal Sir Walter Scott,
Which by Scotchmen and Englishmen will never be forgot.

What could be dafter
Than John Skelton’s laughter?
What sound more tenderly
Than his pretty poetry?
So where to rank old Skelton?
He was no monstrous Milton,
Nor wrote no “Paradise Lost,”
So wondered at by most,
Phrased so disdainfully,
Composed so painfully.
He struck what Milton missed,
Milling an English grist
With homely turn and twist.
He was English through and through,
Not Greek, nor French, nor Jew,
Though well their tongues he knew,
The living and the dead:
Learned Erasmus said,

To the grave they bore him sleeping,
Him the aged, genial gardener;
Now the children gifts are heaping
From the flower-bed he made.

There the tree that he sat under,
And the garden gate is open,
While we cast a glance and wonder
Whether some one sits there still.

He is gone. A woman only
Wanders there with languid footsteps,
Clothed in black and now so lonely,
Where his laughter erst rang clear.

As a child when past it going,
Through the fence she looked with longing,
Now great tears so freely flowing

The first flush of grey light, the herald of daylight,
Is dimly outlining the musterer's camp,
Where over the sleeping, the stealthily creeping
Breath of the morning lies chilly and damp,



As, blankets forsaking, 'twixt sleeping and waking,
The black-boys turn out to the manager's call;
Whose order, of course, is, "Be after the horses,
And take all sorts of care you unhobble them all."



Then, each with a bridle (provokingly idle)
They saunter away his commands to fulfil -

Women of night life amid the lights
Where the line of your full, round throats
Matches in gleam the glint of your eyes
And the ring of your heart-deep laughter:
It is much to be warm and sure of to-morrow.

Women of night life along the shadows,
Lean at your throats and skulking the walls,
Gaunt as a bitch worn to the bone,
Under the paint of your smiling faces:
It is much to be warm and sure of to-morrow.

Always, sweetheart,
Carry into your room the blossoming boughs of cherry,
Almond and apple and pear diffuse with light, that very
Soon strews itself on the floor; and keep the radiance of spring
Fresh quivering; keep the sunny-swift March-days waiting
In a little throng at your door, and admit the one who is plaiting
Her hair for womanhood, and play awhile with her, then bid her depart.

A come and go of March-day loves
Through the flower-vine, trailing screen;
A fluttering in of doves.
Then a launch abroad of shrinking doves