Fair Venevil hastened with tripping feet
Her lover to meet.
He sang, so it rang o'er the church far away:
"Good-day! Good-day!"

And all the little birds sang right merrily their lay:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

She twined him a wreath of the flowers blue:
"My eyes for you!"
He tossed it and caught it and to her did bend:
"Good-by, my friend!"
And loudly he exulted at the field's far distant end:
"Midsummer Day

Old King Cole
Was a merry old soul
And a merry old soul was he
He called for his pipe
and he called for his bowl
and he called for his fiddlers three


after Lord Tennyson


Cole, that unwearied prince of Colchester,
Growing more gay with age and with long days
Deeper in laughter and desire of life
As that Virginian climber on our walls
Flames scarlet with the fading of the year;
Called for his wassail and that other weed
Virginian also, from the western woods

My tangoing seemed to delight her;
With me it was love at first sight.
I mentioned That I was a writer:
She asked me: "What is it you write?"
"Oh, only best-sellers," I told her.
Their titles? . . . She shook her blonde head;
The atmosphere seemed to grow colder:
Not one of my books had she read.

Oh, she was a beauty ensnaring,
And I was an author of note;
But little I saw she'd be caring
If never a novel I wrote.
Alas for the caprice of Cupid!
Alack for the phantom of Fame!
I thought her just homely and stupid:

(In memory of William Vaughn Moody)

I

Uriel, you that in the ageless sun
Sit in the awful silences of light,
Singing of vision hid from human sight, --
Prometheus, beautiful rebellious one!
And you, Deucalion,
For whose blind seed was brought the illuming spark,
Are you not gathered, now his day is done,
Beside the brink of that relentless dark --
The dark where your dear singer's ghost is gone?

II

Imagined beings, who majestic blend
Your forms with beauty! -- questing, unconfined,

Who falls into the fire shall burn with heat;
While those remote scorn from it to retreat.
Yea, while those in it, cry out, O! I burn,
Some farther off those cries to laughter turn.

Comparison.

While some tormented are in hell for sin;
On earth some greatly do delight therein.
Yea, while some make it echo with their cry,
Others count it a fable and a lie.

I am a copper wire slung in the air,
Slim against the sun I make not even a clear line of shadow.
Night and day I keep singing--humming and thrumming:
It is love and war and money; it is the fighting and the
tears, the work and want,
Death and laughter of men and women passing through
me, carrier of your speech,
In the rain and the wet dripping, in the dawn and the
shine drying,
A copper wire.

I saw a young mother
With eyes full of laughter
And two little shadows
Came following after.

Wherever she moved,
They were always right there
Holding onto her skirts,
Hanging onto her chair.
Before her, behind her -
An adhesive pair.

'Don't you ever get weary
As, day after day,
your two little tagalongs
Get in your way? '

She smiled as she shook
Her pretty young head,
And I'll always remember
The words that she said.

'It's good to have shadows
That run when you run,

When she came out, that white little Russian dancer,
With her bright hair, and her eyes, so young, so young,
He suddenly lost his leader, and all the players,
And only heard an immortal music sung,--

Of dryads flashing in the green woods of April,
On cobwebs trembing over the deep, wet grass:
Fleeing their shadows with laughter, with hands uplifted,
Through the whirled sinister sun he saw them pass,--

Lovely immortals gone, yet existing somewhere,
Still somewhere laughing in woods of immortal green,

Most near, most dear, most loved and most far,
Under the window where I often found her
Sitting as huge as Asia, seismic with laughter,
Gin and chicken helpless in her Irish hand,
Irresistible as Rabelais, but most tender for
The lame dogs and hurt birds that surround her -
She is a procession no one can follow after
But be like a little dog following a brass band.

She will not glance up at the bomber, or condescend
To drop her gin and scuttle to a cellar,
But lean on the mahogany table like a mountain

NAY, no longer I may hold you,
In my spirit's soft caresses,
Nor like lotus-leaves enfold you
In the tangles of my tresses.
Fairy fancies, fly away
To the white cloud-wildernesses,
Fly away!


Nay, no longer ye may linger
With your laughter-lighted faces,
Now I am a thought-worn singer
In life's high and lonely places.
Fairy fancies, fly away,
To bright wind-inwoven spaces,
Fly away!