kiss

It was the steamer Alice May that sailed the Yukon foam.
And touched in every river camp from Dawson down to Nome.
It was her builder, owner, pilot, Captain Silas Geer,
Who took her through the angry ice, the last boat of the year;
Who patched her cracks with gunny sacks and wound her pipes with wire,
And cut the spruce upon the banks to feed her boiler fire;
Who headed her into the stream and bucked its mighty flow,
And nosed her up the little creeks where no one else would go;

Keepe on your maske and hide your eye
For in beholding you I dye.
Your fatall beauty Gorgon-like
Dead with astonishment doth strike.
Your piercing eyes that now I see
Are worse than Basilisks to me.
Shut from mine eyes those hills of snow,
Their melting vally do not shew:
Those azure paths lead to despaire,
O vex me not, forbear, forbear;
For while I thus in torments dwell
The sight of Heaven is worse than Hell.
In those faire cheeks two pits doe lye
To bury those slaine by your eye:

'Keep white the strain!"
Oh! brothers mine, in bitter shame
Australia kneels and makes the prayer;
Wrench out the loathsome lusts and swear
To be men worthy of the name;
To hold your manhood with such price,
Such love of lineage and race,
That, when the nations give her place,
She shall go forth all purified.

"Keep white the strain!"
Oh, maiden of the sunny south
Slim maiden, trim and typical
Let not forbidden kisses fall
Upon thy sweet love-drenched mouth;
But rather teach the alien earth,

The melancholy gift Aurora gained
From Jove, that her sad lover should not see
The face of death, no goddess asked for thee,
My Keats! But when the crimson blood-drop stained
Thy pillow, thou didst read the fate ordained, --
Brief life, wild love, a flight of poesy!
And then, -- a shadow fell on Italy:
Thy star went down before its brightness waned,

Yet thou hast won the gift Tithonus missed:
Never to feel the pain of growing old,
Nor lose the blissful sight of beauty's truth,

Pitch here the tent, while the old horse grazes:
By the old hedge-side we'll halt a stage.
It's nigh my last above the daisies:
My next leaf'll be man's blank page.
Yes, my old girl! and it's no use crying:
Juggler, constable, king, must bow.
One that outjuggles all's been spying
Long to have me, and he has me now.

We've travelled times to this old common:
Often we've hung our pots in the gorse.
We've had a stirring life, old woman!
You, and I, and the old grey horse.
Races, and fairs, and royal occasions,

You've heard of Julot the apache, and Gigolette, his mome. . . .
Montmartre was their hunting-ground, but Belville was their home.
A little chap just like a boy, with smudgy black mustache, --
Yet there was nothing juvenile in Julot the apache.
From head to heel as tough as steel, as nimble as a cat,
With every trick of twist and kick, a master of savate.
And Gigolette was tall and fair, as stupid as a cow,
With three combs in the greasy hair she banged upon her brow.
You'd see her on the Place Pigalle on any afternoon,

What is it about the Abyss
that tempts the young poet to kiss
the air and head for the nearest cliff? This
unreasonable attachment to the bliss
of falling -- what accounts for it? Unlike the hiss
announcing a reptilian presence, the word Abyss
creates the object of our dread: it exists, it is,
widening like the gulf between whis-
key and wine, and we, drunk on neither, miss
the days when we, too, tumbled headlong out of heaven, pissed

For I will consider my Cat Jeoffry.
For he is the servant of the Living God duly and daily serving him.
For at the first glance of the glory of God in the East he worships in his way.
For this is done by wreathing his body seven times round with elegant quickness.
For then he leaps up to catch the musk, which is the blessing of God upon his prayer.
For he rolls upon prank to work it in.
For having done duty and received blessing he begins to consider himself.
For this he performs in ten degrees.

For God has given us a language of monosyllables to prevent our clipping.

For a toad enjoys a finer prospect than another creature to compensate his lack.

Tho' toad I am the object of man's hate.
Yet better am I than a reprobate. who has the worst of prospects.
For there are stones, whose constituent particles are little toads.

For the spiritual musick is as follows.

For there is the thunder-stop, which is the voice of God direct.

For the rest of the stops are by their rhimes.

I'll tell you the story of Jonah,
A really remarkable tale;
A peaceful and humdrum existence he had
Until one day he went for a sail.

The weather were grand when they started,
But later at turn of the tide
The wind started blowing, the water got rough,
And Jonah felt funny inside.

When the ship started pitching and tossing
He tried hard his feelings to smother,
At last he just leant his head over the side
And one thing seemed to bring up another.

When the sailors saw what he were doing