My home is so glad, my heart is so light,
My wandering boy has returned to­p;night.
He is blighted and bruised, I know, by sin,
But I am so glad to welcome him in.

The child of my tenderest love and care
Has broken away from the tempter's snare;
tonight my heart is o'erflowing with joy,
I have found again my wandering boy.

My heart has been wrung with a thousand fears,
Mine eyes have been drenched with the bitterest tears;
Like shadows that fade are my past alarms,
My boy is enclasped in his mother's arms.

Till midnight her needle she plied
To finish her pretty pink dress;
"Oh, bless you, my darling," she sighed;
"I hope you will be a success."
As she entered the Oddfellow's Hall
With the shy thrill of maiden romance
She felt like the belle of the Ball,
But . . . nobody asked her to dance.

Her programme was clutched in her hand;
Her smile was a tiny bit wan;
She listened, applauding the band,
Pretending she liked to look on.
Each girl had her favourite swain,
She watched them retreat and advance;
She waited and waited in vain,

To walk abroad is, not with eyes,
But thoughts, the fields to see and prize;
Else may the silent feet,
Like logs of wood,
Move up and down, and see no good
Nor joy nor glory meet.

Ev'n carts and wheels their place do change,
But cannot see, though very strange
The glory that is by;
Dead puppets may
Move in the bright and glorious day,
Yet not behold the sky.

And are not men than they more blind,
Who having eyes yet never find
The bliss in which they move;
Like statues dead
They up and down are carried

ABOVE us hangs the jewelled night;
And how her restful cool caresses
Make us forget the weary sight
Of summer’s daily wildernesses!
O aching toil and hope deferred,
The night has made a promise to me;
She whispered, and a wonder stirred,
And still the joy is thrilling through me.
Smooth water, shadow deeply still,
I dare not move, you wait unsleeping
—You share the breathless hopes that fill
The watch my longing soul is keeping.
A fish is leaping in the bay;

Serene, I fold my hands and wait,
Nor care for wind, nor tide, nor sea;
I rave no more 'gainst time or fate,
For lo! my own shall come to me.

I stay my haste, I make delays,
For what avails this eager pace?
I stand amid the eternal ways,
And what is mine shall know my face.

Asleep, awake, by night or day,
The friends I seek are seeking me;
No wind can drive my bark astray,
Nor change the tide of destiny.

What matter if I stand alone?
I wait with joy the coming years;

Love has gone a-rocketing.
That is not the worst;
I could do without the thing,
And not be the first.

Joy has gone the way it came.
That is nothing new;
I could get along the same, --
Many people do.

Dig for me the narrow bed,
Now I am bereft.
All my pretty hates are dead,
And what have I left?

We have not heard the music of the spheres,
The song of star to star, but there are sounds
More deep than human joy and human tears,
That Nature uses in her common rounds;
The fall of streams, the cry of winds that strain
The oak, the roaring of the sea's surge, might
Of thunder breaking afar off, or rain
That falls by minutes in the summer night.
These are the voices of earth's secret soul,
Uttering the mystery from which she came.
To him who hears them grief beyond control,
Or joy inscrutable without a name,

In flat America, in Chicago,
Graceland cemetery on the German North Side.
Forty feet of Corinthian candle
celebrate Pullman embedded
lonely raisin in a cake of concrete.
The Potter Palmers float
in an island parthenon.
Barons of hogfat, railroads and wheat
are postmarked with angels and lambs.

But the Getty tomb: white, snow patterned
in a triangle of trees swims dappled with leaf shadow,
sketched light arch within arch
delicate as fingernail moons.

The green doors should not be locked.

O Youth and Joy, your airy tread
Too lightly springs by Sorrow's bed,
Your keen eye-glances are too bright,
Too restless for a sick man's sight.
Farewell; for one short life we part:
I rather woo the soothing art,
Which only souls in sufferings tried
Bear to their suffering brethren's side.

Where may we learn that gentle spell?
Mother of Martyrs, thou canst tell!
Thou, who didst watch thy dying Spouse
With pierced hands and bleeding brows,
Whose tears from age to age are shed
O'er sainted sons untimely dead,

My mother she had children five and four are dead and gone;
While I, least worthy to survive, persist in living on.
She looks at me, I must confess, sometimes with spite and bitterness.

My mother is three-score and ten, while I am forty-three,
You don't know how it hurts me when we go somewhere to tea,
And people tell her on the sly we look like sisters, she and I.

It hurts to see her secret glee; but most, because it's true.
Sometimes I think she thinks that she looks younger of the two.