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Fair Elanor

The bell struck one, and shook the silent tower;
The graves give up their dead: fair Elenor
Walk'd by the castle gate, and lookèd in.
A hollow groan ran thro' the dreary vaults.
She shriek'd aloud, and sunk upon the steps,
On the cold stone her pale cheeks. Sickly smells
Of death issue as from a sepulchre,
And all is silent but the sighing vaults.

Chill Death withdraws his hand, and she revives;
Amaz'd, she finds herself upon her feet,
And, like a ghost, thro' narrow passages
Walking, feeling the cold walls with her hands.

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Fair Annie

The reivers they stole Fair Annie,
   As she walk'd by the sea;
But a noble knight was her ransom soon,
   Wi' gowd and white monie.

She bided in strangers' land wi' him,
   And none knew whence she cam;
She lived in the castle wi' her love,
   But never told her name.

'It 's narrow, narrow, mak your bed,
   And learn to lie your lane;
For I'm gaun owre the sea, Fair Annie,
   A braw Bride to bring hame.
Wi' her I will get gowd and gear,

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Everyday Characters I - The Vicar

Some years ago, ere time and taste
Had turned our parish topsy-turvy,
When Darnel Park was Darnel Waste,
And roads as little known as scurvy,
The man who lost his way, between
St. Mary's Hill and Sandy Thicket,
Was always shown across the green,
And guided to the Parson's wicket.

Back flew the bolt of lissom lath;
Fair Margaret, in her tidy kirtle,
Led the lorn traveller up the path,
Through clean-clipt rows of box and myrtle;
And Don and Sancho, Tramp and Tray,

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ER LOGOTENENTE The Lieutenant

Come intese a ciarlà der cavalletto,
Presto io curze dar zor Logotenente:
"Mi' marito... Eccellenza... è un poveretto
Pe carità... Ché nun ha ffatto gnente".

Dice: "Mettet'a ssede". Io me ce metto.
Lui cor un zenno manna via la gente:
Po' me s'accosta: "Dimme un po' gruggnetto,
Tu' marito lo vòi reo o innocente?"

"Innocente", dich'io; e lui: "Ciò gusto"
E detto-fatto quer faccia d'abbreo
Me schiaffa la man-dritta drent'ar busto.

Io sbarzo in piede, e strillo: "Eh sor cazzeo..."

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ER CONFESSORE The Confessor

Padre... -- Dite il confiteor. -- L'ho detto. --
L'atto di contrizione? -- Già l'ho ffatto. --
Avanti dunque. -- Ho detto cazzo-matto
A mi' marito, e j'ho arzato un grossetto. --

Poi? -- Pe una pila che me róppe er gatto
Je disse for de me: "Si' maledetto";
E è cratura de Dio! -- C'e altro? -- Tratto
Un giuvenotto, e ce sò ita a letto. --

E lì cosa è successo? -- Un po' de tutto.--
Cioè? Sempre, m'immagino, pel dritto. --
Puro a riverzo... -- Oh che peccato brutto!

Dunque, in causa di questo giovanotto,

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ER COMPANATICO DER PARADISO Heaven's Food

Dio doppo avé creato in pochi giorni
Quello che c'è de bello e c'é de brutto,
In paradiso o in de li su' contorni
Creò un rampino e ciattaccò un presciutto.

E disse: "Quella femmina che in tutto
Er tempo che campò nun messe corni,
N'abbi una fetta, acciò non magni asciutto
Er pandecèlo de li nostri forni".

Morze Eva, morze Lia, morze Ribbecca,
Fino inzomma a ttu' moje a man'a mano,
Morzeno tutte, e ppijele a l'inzecca.

E ttutte quante cor cortello in mano
Quando furno a ttajà feceno cecca:

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EPISTLE II TO A LADY Of the Characters of Women

NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.

How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a Swan.
Let then the Fair one beautifully cry,
In Magdalen's loose hair and lifted eye,

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Epistle from Mrs. Yonge to Her Husband

Think not this paper comes with vain pretense
To move your pity, or to mourn th'offense.
Too well I know that hard obdurate heart;
No softening mercy there will take my part,
Nor can a woman's arguments prevail,
When even your patron's wise example fails.
But this last privilege I still retain;
Th'oppressed and injured always may complain.
Too, too severely laws of honor bind
The weak submissive sex of womankind.
If sighs have gained or force compelled our hand,
Deceived by art, or urged by stern command,

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Epilogue

(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)

FIRST VOICE

A game of checkers?

SECOND VOICE

Well, I don't mind.

FIRST VOICE

I move the Will.

SECOND VOICE

You're playing it blind.

FIRST VOICE

Then here's the Soul.

SECOND VOICE

Checked by the Will.

FIRST VOICE

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Elegy VII

Nature's lay idiot, I taught thee to love,
And in that sophistry, Oh, thou dost prove
Too subtle: Foole, thou didst not understand
The mystic language of the eye nor hand:
Nor couldst thou judge the difference of the air
Of sighs, and say, This lies, this sounds despair:
Nor by th' eyes water call a malady
Desperately hot, or changing feverously.
I had not taught thee, then, the Alphabet
Of flowers, how they devisefully being set
And bound up might with speechless secrecy
Deliver errands mutely, and mutually.

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