house

Aug. 12. 1653.


Jehovah to my words give ear
My meditation waigh
The voyce of my complaining hear
My King and God for unto thee I pray.
Jehovah thou my early voyce
Shalt in the morning hear
Ith'morning I to thee with choyce
Will rank my Prayers, and watch till thou appear.
For thou art not a God that takes
In wickedness delight
Evil with thee no biding makes
Fools or mad men stand not within thy sight.
All workers of iniquity

O Sacred Providence, who from end to end
Strongly and sweetly movest! shall I write,
And not of thee, through whom my fingers bend
To hold my quill? shall they not do thee right?

Of all the creatures both in sea and land
Onely to Man thou hast made known thy wayes,
And put the penne alone into his hand,
And made him Secretarie of thy praise.

Beasts fain would sing; birds dittie to their notes;
Trees would be tuning on their native lute
To thy renown: but all their hands and throats

What can I say to you? How can I retract
All that that fool my voice has spoken -
Now that the facts are plain, the placid surface cracked,
The protocols of friendship broken?
I cannot walk by day as now I walk at dawn
Past the still house where you lie sleeping.
May the sun burn these footprints on the lawn
And hold you in its warmth and keeping.

Calm was the day, and through the trembling air
Sweet-breathing Zephyrus did softly play
A gentle spirit, that lightly did delay
Hot Titan's beams, which then did glister fair;
When I (whom sullen care,
Through discontent of my long fruitless stay
In prince's court, and expectation vain
Of idle hopes, which still do fly away
Like empty shadows, did afflict my brain),
Walk'd forth to ease my pain
Along the shore of silver-streaming Thames;
Whose rutty bank, the which his river hems,

This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away

The red-roofed house of dream design
Looks three ways on the sea;
For fifty years I've made it mine,
And held it part of me.
The pines I planted in my youth
Triumpantly are tall . . .
Yet now I know with sorry sooth
I have to leave it all.

Hard-hewn from out the living rock
And salty from the tide,
My house has braved the tempest shock
With hardihood and pride.
Each nook is memoried to me;
I've loved its every stone,
And cried to it exultantly:

Horace: Book III, Ode 3

"Carminis interea nostri redæmus in orbem---"


Let us return, then, for a time,
To our accustomed round of rhyme;
And let my songs' familiar art
Not fail to move my lady's heart.

They say that Orpheus with his lute
Had power to tame the wildest brute;
That "Vatiations on a Theme"
Of his would stay the swiftest stream.

They say that by the minstrel's song
Cithæron's rocks were moved along
To Thebes, where, as you may recall,

`Prisoner, tell me, who was it that bound you?'

`It was my master,' said the prisoner.
`I thought I could outdo everybody in the world in wealth and power,
and I amassed in my own treasure-house the money due to my king.
When sleep overcame me I lay upon the bed that was for my lord,
and on waking up I found I was a prisoner in my own treasure-house.'

`Prisoner, tell me, who was it that wrought this unbreakable chain?'

`It was I,' said the prisoner, `who forged this chain very carefully.

Here Freedom stood by slaughtered friend and foe,
And, ere the wrath paled or that sunset died,
Looked through the ages; then, with eyes aglow,
Laid them to wait that future, side by side.

(Lines for a monument to the American and British soldiers of the Revolutionary War who fell on the Princeton battlefield and were buried in one grave.)

Now lamp-lit gardens in the blue dusk shine
Through dogwood, red and white;
And round the gray quadrangles, line by line,
The windows fill with light,

To smite Apollo's lyre I am unable;
Of loveliness, alas! I cannot sing.
My lot it i, across the tavern table,
To start a chorus to the strumming string.
I have no gift to touch your heart to pity;
I have no power to ring the note of pain:
All I can do is pipe a pot-house ditty,
Or roar a Rabelaisian refrain.

Behold yon minstrel of the empty belly,
Who seeks to please the bored and waiting throng,
Outside the Opera with ukulele,
And raucous strains of syncopated song.