9

Through lane it lay—through bramble—
Through clearing and through wood—
Banditti often passed us
Upon the lonely road.

The wolf came peering curious—
The owl looked puzzled down—
The serpent's satin figure
Glid stealthily along—

The tempests touched our garments—
The lightning's poinards gleamed—
Fierce from the Crag above us
The hungry Vulture screamed—

The satyr's fingers beckoned—
The valley murmured "Come"—
These were the mates—
This was the road
Those children fluttered home.

I was a boy when I heard three red words
a thousand Frenchmen died in the streets
for: Liberty, Equality, Fraternity--I asked
why men die for words.

I was older; men with mustaches, sideburns,
lilacs, told me the high golden words are:
Mother, Home, and Heaven--other older men with
face decorations said: God, Duty, Immortality
--they sang these threes slow from deep lungs.

Years ticked off their say-so on the great clocks
of doom and damnation, soup, and nuts: meteors flashed
their say-so: and out of great Russia came three

1731

BEAUTIFUL face of a child,
Lighted with laughter and glee,
Mirthful, and tender, and wild,
My heart is heavy for thee!

1744

Beautiful face of a youth,
As an eagle poised to fly forth
To the old land loyal of truth,
To the hills and the sounds of the North:
Fair face, daring and proud,
Lo! the shadow of doom, even now,
The fate of thy line, like a cloud,
Rests on the grace of thy brow!

1773

Cruel and angry face,
Hateful and heavy with wine,

Three moves in sixth months and I remain
the same.
Two homes made two friends.
The third leaves me with myself again.
(We hardly speak.)
Here I am with tame ducks
and my neighbors' boats,
only this electric heat
against the April damp.
I have a friend named Frank--
the only one who ever dares to call
and ask me, "How's your soul?"
I hadn't thought about it for a while,
and was ashamed to say I didn't know.
I have no priest for now.
Who
will forgive me then. Will you
Tame birds and my neighbors' boats.

I rise and applaud, in the patriot manner,
Whenever (as often) I hear
The palpitanat strains of "The Star Spangled Banner,"--
I shout and cheer.

And also, to show my unbound devotion,
I jump to my feet with a "Whee!"
Whenever "Columbia, the Gem of the Ocean"
Is played near me.

My fervour's so hot and my ardour so searing--
I'm hoarse for a couple of days--
You've heard me, I'm positive, joyously cheering
"The Marsailles"

I holler for "Dixie." I go off my noodle,
I whistle, I pound, and I stamp

Here's a vestibule. On holidays
Overcome by slavish fear,
The whole population, in a state of awe,
Rushes to the sacred doors.
Having left their names and ranks.
All these visitors return then to their homes
They are all so deeply satisfied
You might think this was their calling!
Yet on other days this ornate vestibule
Is beset by much more wretched sorts:
Schemers and position-seekers,
By a widow and an aged man.
To and fro each morning without cease
Couriers bustle with their papers.
Some returning seekers whistle a tune

Though the last glimpse of Erin with sorrow I see,
Yet wherever thou art shall seem Erin to me;
In exile thy bosom shall still be my home,
And thine eyes make my climate wherever we roam.

To the gloom of some desert or cold rocky shore,
Where the eye of the stranger can haunt us no more,
I will fly with my Coulin, and think the rough wind
Less rude than the foes we leave frowning behind.

And I'll gaze on thy gold hair as graceful it wreathes,
And hang o'er thy soft harp, as wildly it breathes;

There are places where the eye can starve,
But not here. Here, for example, is
The Piazza Navona, & here is his narrow room
Overlooking the Steps & the crowds of sunbathing
Tourists. And here is the Protestant Cemetery
Where Keats & Joseph Severn join hands
Forever under a little shawl of grass
And where Keats's name isn't even on
His gravestone, because it is on Severn's,
And Joseph Severn's infant son is buried
Two modest, grassy steps behind them both.
But you'd have to know the story--how bedridden

499

Those fair—fictitious People—
The Women—plucked away
From our familiar Lifetime—
The Men of Ivory—

Those Boys and Girls, in Canvas—
Who stay upon the Wall
In Everlasting Keepsake—
Can Anybody tell?

We trust—in places perfecter—
Inheriting Delight
Beyond our faint Conjecture—
Our dizzy Estimate—

Remembering ourselves, we trust—
Yet Blesseder—than We—
Through Knowing—where We only hope—
Receiving—where we—pray—

Of Expectation—also—
Anticipating us
With transport, that would be a pain

Lingo of birds was easier than lingo of peasants-
they were elusive, though, the birds, for excellent reasons.
He thought of Virgil, Virgil who wasn't there to chat with.

History he never forgave for letting Latin
lapse into Italian, a renegade jabbering
musical enough but not enough to call music

So he conversed with stones, imperial and papal.
Even the preposterous popes he could condone
a moment for the clean arrogance of their inscriptions.

He asked the Italians only to leave him in the past