Dear, why should you command me to my rest
When now the night doth summon all to sleep?
Methinks this time becometh lovers best;
Night was ordain'd, together friends to keep;
How happy are all other living things
Which through the day disjoin by sev'ral flight,
The quiet ev'ning yet together brings,
And each returns unto his love at night.
O thou, that art so courteous else to all,
Why shouldst thou, Night, abuse me only thus,
That ev'ry creature to his kind dost call,
And yet 'tis thou dost only sever us?

Thou comest! all is said without a word.
I sit beneath thy looks, as children do
In the noon-sun, with souls that tremble through
Their happy eyelids from an unaverred
Yet prodigal inward joy. Behold, I erred
In that last doubt! and yet I cannot rue
The sin most, but the occasion--that we two
Should for a moment stand unministered
By a mutual presence. Ah, keep near and close,
Thou dovelike help! and, when my fears would rise,
With thy broad heart serenely interpose:
Brood down with thy divine sufficiencies

As in the midst of battle there is room
For thoughts of love, and in foul sin for mirth;
As gossips whisper of a trinket's worth
Spied by the death-bed's flickering candle-gloom;
As in the crevices of Caesar's tomb
The sweet herbs flourish on a little earth
So in this great disaster of our birth
We can be happy, and forget our doom.

For morning, with a ray of tenderest joy
Gilding the iron heaven, hides the truth,
And evening gently woos us to employ
Our grief in idle catches. Such is youth;

Why should I sing in verse, why should I frame
These sad neglected notes for her dear sake?
Why should I offer up onto her name
The sweetest sacrifice my youth can make?
Why should I strive to make her live for ever,
That never deigns to give me joy to live?
Why should m'afflicted Muse so much endeavor,
Such honor unto cruelty to give?
If her defects have purchas'd her this fame,
What should her virtues do, her smiles, her love?
If this her worst, how should her best enflame?
What passions would her milder favors move?

Happy in sleep, waking content to languish,
Embracing clouds by night; in daytime, mourn;
All things I loath save her and mine own anguish,
Pleas'd in my hurt inured to live forlorn.
Nought do I crave but love, death, or my Lady,
Hoarse with crying mercy, mercy yet my merit;
So man vows and prayers e'er made I,
That now at length t'yield, mere pity were it.
But still the Hydra of my cares renewing,
Revives new sorrows of her fresh disdaining;
Still must I go the summer winds pursuing,
Finding no end nor period of my paining.

Now, round my favor'd grot let roses rise,
To strew the bank where Phaon wakes from rest;
O! happy buds! to kiss his burning breast,
And die, beneath the lustre of his eyes!
Now, let the timbrels echo to the skies,
Now damsels sprinkel cassia on his vest,
With od'rous wreaths of constant myrtle drest,
And flow'rs, deep tinted with the rainbow's dyes!
From cups of porphyry let nectar flow,
Rich as the perfume of Phoenicia's vine!
Now let his dimpling cheek with rapture glow,
While round his heart love's mystic fetters twine;

Fair and lovely maid, look from the shore,
See thy Leander striving in these waves,
Poor soul forespent, whose force can do no more:
Now send forth hopes, for now calm pity saves.
And waft him to thee with those lovely eyes,
A happy convoy to a holy land;
Now show thy power and where thy virtue lies;
To save thine own, stretch out the fairest hand.
Stretch out the fairest hand a pledge of peace,
That hand that darts so right and never misses;
I'll not revenge old wrongs; my wrath shall cease;

Muses, which sadly sit about my chair,
Drown'd in the tears extorted by my lines,
With heavy sighs whilst thus I break the air,
Painting my passions in these sad designs,
Since she disdains to bless my happy verse,
The strong-built trophies to her living fame,
Ever henceforth my bosom be your hearse,
Wherein the world shall now entomb her name.
Enclose my music, you poor senseless walls,
Since she is deaf and will not hear my moans,
Soften yourselves with every tear that falls,
Whilst I, like Orpheus, sing to trees and stones,

Behold what hap Pygmalion had to frame
And carve his proper grief upon a stone;
My heavy fortune is much like the same:
I work on flint, and that's the cause I moan.
For hapless, lo, ev'n with mine own desires,
I figur'd on the table of my heart
The fairest form, the world's eye admires,
And so did perish by my proper art.
And still I toil, to change the marble breast
Of her, whose sweetest grace I do adore,
Yet cannot find her breath unto my rest:
Hard is her heart, and woe is me, therefore.

Meek Twilight! soften the declining day,
And bring the hour my pensive spirit loves;
When o'er the mountain slow descends the ray
That gives to silence and to night the groves.
Ah, let the happy court the morning still,
When, in her blooming loveliness arrayed,
She bids fresh beauty light the vale or hill,
And rapture warble in the vocal shade.
Sweet is the odour of the morning's flower,
And rich in melody her accents rise;
Yet dearer to my soul the shadowy hour
At which her blossoms close, her music dies: