Thar showed up out'n Denver in the spring uv '81
A man who'd worked with Dana on the Noo York Sun.
His name wuz Cantell Whoppers, 'nd he wuz a sight ter view
Ez he walked inter the orfice 'nd inquired fer work ter do.
Thar warn't no places vacant then,--fer be it understood,
That wuz the time when talent flourished at that altitood;
But thar the stranger lingered, tellin' Raymond 'nd the rest
Uv what perdigious wonders he could do when at his best,
Till finally he stated (quite by chance) that he hed done
A heap uv work with Dana on the Noo York Sun.

If white is the colour
of mourning in Andalusia,
it is a proper custom.

Look at me,
I dress myself in the white
of white hair
in mourning for youth.

Nothing's moving I don't see anybody
And I know that it's not a trick
There really is nothing moving there
And there aren't any people. It is the very utmost top
Where, as is not unusual,
There is snow, lying like the hair on a white-haired person's head
Combed sideways and backward and forward to cover as much of the top
As possible, for the snow is thinning, it's September
Although a few months from now there will be a new crop
Probably, though this no one KNOWS (so neither do we)
But every other year it has happened by November

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.
Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.
It is morning. I stand by the mirror

We are what we repeatedly do.
—Aristotle

You know how it is waking
from a dream certain you can fly
and that someone, long gone, returned

and you are filled with longing,
for a brief moment, to drive off
the road and feel nothing

or to see the loved one and feel
everything. Perhaps one morning,
taking brush to hair you'll wonder

how much of your life you've spent
at this task or signing your name
or rising in fog in near darkness

to ready for work. Day begins
with other people's needs first

The common is unusually calm--they captured the storm
last night, it's sleeping in the stockade, relieved
of its duty, pacified, tamed, a pussycat.
But not before it tied the flagpole in knots,
and not before it alarmed the firemen out of their pants.
Now it's really calm, almost too calm, as though
anything could happen, and it would be a first.
It could be the worst thing that ever happened.
All the little rodents are sitting up and counting
their nuts. What if nothing ever happened again?
Would there be enough to "eke out an existence,"

The branches,
jointed, pointing
up and out, shine
out like brass.

Upon the heavy
lip of earth
the dog

      &n bsp;at
moments is
possessed and screams:

The rising moon draws
up his blood and hair.

Tonight at Fu-chou, this moon she watches
Alone in our room. And my little, far-off
Children, too young to understand what keeps me
Away, or even remember Chang'an. By now,

Her hair will be mist-scented, her jade-white
Arms chilled in its clear light. When
Will it find us together again, drapes drawn
Open, light traced where it dries our tears?

When the moon was full they came to the water.
some with pitchforks, some with rakes,
some with sieves and ladles,
and one with a silver cup.

And they fished til a traveler passed them and said,
"Fools,
to catch the moon you must let your women
spread their hair on the water --
even the wily moon will leap to that bobbing
net of shimmering threads,
gasp and flop till its silver scales
lie black and still at your feet."

And they fished with the hair of their women
till a traveler passed them and said,
"Fools,

A purple blot against the dead white door
In my friend's rooms, bathed in their vile pink light,
I had not noticed her before
She snatched my eyes and threw them back to me:
She did not speak till we came out into the night,
Paused at this bench beside the klosk on the quay.

God knows precisely what she said--
I left to her the twisted skein,
Though here and there I caught a thread,--
Something, at first, about "the lamps along the Seine,
And Paris, with that witching card of Spring
Kept up her sleeve,--why you could see