Stant littore Puppies!-- Virgil.

It was a litter, a litter of five,
Four are drown'd and one left alive,
He was thought worthy alone to survive;
And the Bagman resolved upon bringing him up,
To eat of his bread, and to drink of his cup,
He was such a dear little cock-tail'd pup.

The Bagman taught him many a trick;
He would carry and fetch, and run after a stick,
Could well understand
The word of command,
And appear to doze
With a crust on his nose,
Till the Bagman permissively waved his hand:

To wed, or not to wed; that is the question;
Whether 'tis nobler in the mind to suffer
The bills and house rent of a wedded fortune,
Or to say "nit" when she proposes,
And by declining cut her. To wed; to smoke
No more; And have a wife at home to mend
The holes in socks and shirts
And underwear and so forth. 'Tis a consummation
Devoutly to be wished. To wed for life;
To wed; perchance to fight; ay, there's the rub;
For in that married life what fights may come,
When we have honeymooning ceased

PART I

The auld wife sat at her ivied door,
(Butter and eggs and a pound of cheese)
A thing she had frequently done before;
And her spectacles lay on her apron’d knees.

The piper he pip’d on the hill-top high,
(Butter and eggs and a pound of cheese)
Till the cow said, “I die,” and the goose asked “Why?”
And the dog said nothing, but search’d for fleas.

The farmer he strode through the square farmyard;
(Butter and eggs and a pound of cheese)
His last brew of ale was a trifle hard,

Mr T.
bareheaded
in a soiled undershirt
his hair standing out
on all sides
stood on his toes
heels together
arms gracefully
for the moment

curled above his head.
Then he whirled about
bounded
into the air
and with an entrechat
perfectly achieved
completed the figure.
My mother
taken by surprise
where she sat
in her invalid's chair
was left speechless.
Bravo! she cried at last
and clapped her hands.
The man's wife
came from the kitchen:
What goes on here? she said.

Leonardo imagined the first one.
The next was a pole lathe with a drive cord,
illustrated in Plumier's L'art de tourner en perfection.
Then Ramsden, Vauconson, the great Maudslay,
his student Roberts, Fox, Clement, Whitworth.

The long line of machinists to my left
lean into their work, ungloved hands adjusting the calipers,
tapping the bit lightly with their fingertips.
Each man withdraws into his house of work:
the rough cut, shearing of iron by tempered steel,
blue-black threads lifting like locks of hair,

There is no song his colours cannot sing,
For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
To murmuring marbles and to golden Junes.

The music of those marbles you can hear
In every crevice, where the deep green stains
Have sunken when the grey days of the year
Spilled leisurely their warm, incessant rains

That, lingering, forget to leave the ledge,
But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge
To waken to the wonder of his brush.

Said a monkey unto me:
"How I'm glad I am not you!
See, I swing from tree to tree,
Something that you cannot do.
In gay greenery I drown;
Swift to skyey hights I scale:
As you watch me hang head down
Don't you wish you had a tail?

"Don't you wish that you could wear
In the place of stuffy clothes,
Just a silky coat of hair,
Never shoes to cramp your toes?
Never need to toil for bread,
Round you nuts and fruit and spice;
And with palm tuft for a bed
Happily to crack your lice?"

Said I: "You are right, maybe:

Philosophers have measur'd mountains,
Fathom'd the depths of the seas, of states, and kings,
Walk'd with a staff to heav'n, and traced fountains:
But there are two vast, spacious things,
The which to measure it doth more behove:
Yet few there are that sound them; Sin and Love.

Who would know SIn, let him repair
Unto mount Olivet; there shall he see
A man so wrung with pains, that all his hair,
His skin, his garments bloody be.
Sin is that press and vice, which forceth pain
To hunt his cruel food through ev'ry vein.

I'll tell thee everything I can;
There's little to relate.
I saw an aged aged man,
A-sitting on a gate.
"Who are you, aged man?" I said,
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said, "I look for butterflies
That sleep among the wheat:
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread—
A trifle; if you please."

But I was thinking of a plan

My dumpy little mother on the undertaker's slab
had a mannequin's grace. From chin to foot
the sheet outlined her, thin and tall. Her face
uptilted, bloodless, smooth, had a long smile.
Her head rested on a block under her nape,
her neck was long, her hair waved, upswept. But later,
at "the viewing," sunk in the casket in pink tulle,
an expensive present that might spoil, dressed
in Eden's green apron, organdy bonnet on,
she shrank, grew short again, and yellow. Who
put the gold-rimmed glasses on her shut face, who