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Ylladmar

Her hair was, oh, so dense a blur
Of darkness, midnight envied her;
And stars grew dimmer in the skies
To see the glory of her eyes;
And all the summer rain of light
That showered from the moon at night
Fell o'er her features as the gloom
Of twilight o'er a lily-bloom.

The crimson fruitage of her lips
Was ripe and lush with sweeter wine
Than burgundy or muscadine
Or vintage that the burgher sips
In some old garden on the Rhine:
And I to taste of it could well
Believe my heart a crucible
Of molten love--and I could feel

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Year Of Meteors, 1859 '60


YEAR of meteors! brooding year!
I would bind in words retrospective, some of your deeds and signs;
I would sing your contest for the 19th Presidentiad;
I would sing how an old man, tall, with white hair, mounted the
scaffold in Virginia;
(I was at hand--silent I stood, with teeth shut close--I watch'd;
I stood very near you, old man, when cool and indifferent, but
trembling with age and your unheal'd wounds, you mounted the
scaffold;)

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XXXVIII

First time he kissed me, he but only kissed
The fingers of this hand wherewith I write;
And ever since, it grew more clean and white,
Slow to world-greetings, quick with its ' Oh, list,'
When the angels speak. A ring of amethyst
I could not wear here, plainer to my sight,
Than that first kiss. The second passed in height
The first, and sought the forehead, and half missed,
Half falling on the hair. O beyond meed !
That was the chrism of love, which love's own crown,
With sanctifying sweetness, did precede.

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XVIII

I never gave a lock of hair away
To a man, Dearest, except this to thee,
Which now upon my fingers thoughtfully,
I ring out to the full brown length and say
' Take it.' My day of youth went yesterday;
My hair no longer bounds to my foot's glee,
Nor plant I it from rose or myrtle-tree,
As girls do, any more: it only may
Now shade on two pale cheeks the mark of tears,
Taught drooping from the head that hangs aside
Through sorrow's trick. I thought the funeral-shears
Would take this first, but Love is justified,--

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XV

Accuse me not, beseech thee, that I wear
Too calm and sad a face in front of thine;
For we two look two ways, and cannot shine
With the same sunlight on our brow and hair.
On me thou lookest with no doubting care,
As on a bee shut in a crystalline;
Since sorrow hath shut me safe in love's divine,
And to spread wing and fly in the outer air
Were most impossible failure, if I strove
To fail so. But I look on thee--on thee--
Beholding, besides love, the end of love,
Hearing oblivion beyond memory;
As one who sits and gazes from above,

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X

I have decorated this banner to honor my brother.
Our parents did not want his name used publicly
-- from an unnamed child's banner in the AIDS Memorial Quilt.

The boatpond, broken off, looks back at the sky.
I remember looking at you, X, this way,
taking in your red hair, your eyes' light, and I miss you
so. I know,
you are you, and real, standing there in the doorway,
whether dead or whether living, real. -- Then Y
said, "who will remember me three years after I die?
What is there for my eye
to read then?"

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Written In Australia

THE WIDE sun stares without a cloud:
Whipped by his glances truculent
The earth lies quivering and cowed.
My heart is hot with discontent:
I hate this haggard continent.

But over the loping leagues of sea
A lone land calls to her children free:
My own land holding her arms to me—
But oh, the long loping leagues of sea.

The grey old city is dumb with heat;
No breeze comes leaping, naked, rude,
Adown the narrow, high-walled street;
Upon the night thick perfumes brood:

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Worry About Money

Wearing worry about money like a hair shirt
I lie down in my bed and wrestle with my angel.

My bank-manager could not sanction my continuance for another day
But life itself wakes me each morning, and love

Urges me to give although I have no money
In the bank at this moment, and ought properly

To cease to exist in a world where poverty
Is a shameful and ridiculous offence.

Having no one to advise me, I open the Bible
And shut my eyes and put my finger on a text

And read that the widow with the young son

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Working Girls

The working girls in the morning are going to work--
long lines of them afoot amid the downtown stores
and factories, thousands with little brick-shaped
lunches wrapped in newspapers under their arms.
Each morning as I move through this river of young-
woman life I feel a wonder about where it is all
going, so many with a peach bloom of young years
on them and laughter of red lips and memories in
their eyes of dances the night before and plays and
walks.
Green and gray streams run side by side in a river and

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