grief

ARGUMENT

ARGUMENT.

All night the cocks crew, under a moon like day,
And I, in the cage of sleep, on a stranger's breast,
Shed tears, like a task not to be put away---
In the false light, false grief in my happy bed,
A labor of tears, set against joy's undoing.
I would not wake at your word, I had tears to say.
I clung to the bars of the dream and they were said,
And pain's derisive hand had given me rest
From the night giving off flames, and the dark renewing.

What festival is ancient Rome preparing?
Where flow the crowds in noisy waves?
Why these aromas, myrrh's sweet smoke
And censers all around abrim with fragrant herbs?
From Capitoline Hill to Tiber's waves,
Above universal city's streets,
Why are the priceless rugs and purple stuffs
Spread among garlands, laurels?
Why all this noise? The crash and thump of timpani?
Are these heralds of joy or triumph?
Why wearing the miter hastes the holy father
With gonfalon to the prayer house?

Ah, Grief, I should not treat you
like a homeless dog
who comes to the back door
for a crust, for a meatless bone.
I should trust you.

I should coax you
into the house and give you
your own corner,
a worn mat to lie on,
your own water dish.

You think I don't know you've been living
under my porch.
You long for your real place to be readied
before winter comes. You need
your name,
your collar and tag. You need
the right to warn off intruders,
to consider

By the waters of Babylon we sat down and wept,
Remembering thee,
That for ages of agony hast endured, and slept,
And wouldst not see.

By the waters of Babylon we stood up and sang,
Considering thee,
That a blast of deliverance in the darkness rang,
To set thee free.

And with trumpets and thunderings and with morning song
Came up the light;
And thy spirit uplifted thee to forget thy wrong
As day doth night.

And thy sons were dejected not any more, as then

Paris, August, 1865

I stand at the break of day
In the Champs Elysees.
The tremulous shafts of dawning
As they shoot o'er the Tuileries early,
Strike Luxor's cold gray spire,
And wild in the light of the morning
With their marble manes on fire,
Ramp the white Horses of Marly.

But the Place of Concord lies
Dead hushed 'neath the ashy skies.
And the Cities sit in council
With sleep in their wide stone eyes.
I see the mystic plain
Where the army of spectres slain

I looked into my heart to write
And found a desert there.
But when I looked again I heard
Howling and proud in every word
The hyena despair.

Great summer sun, great summer sun,
All loss burns in trophies;
And in the cold sheet of the sky
Lifelong the fishlipped lovers lie
Kissing catastrophes.

O loving garden where I lay
When under the breasted tree
My son stood up behind my eyes
And groaned: Remember that the price
Is vinegar for me.

Great summer sun, great summer sun,

That one long dirge-moan sad and deep,
Low, muffled by the solemn stress
Of such emotion as doth steep
The soul in brooding quietness,
Befits our anguished time too well,
Whose Life-march is a funeral knell.

Dirge for a mighty Creed outworn-
Its spirit fading from the earth,
Its mouldering body left forlorn:
Weak idol! feeding scornful mirth
In shallow hearts; divine no more
Save to some ignorant pagan poor;

And some who know how by Its light
The past world well did walk and live,

This day, whate'er the Fates decree,
Shall still be kept with joy by me:
This day then let us not be told,
That you are sick, and I grown old;
Nor think on our approaching ills,
And talk of spectacles and pills.
To-morrow will be time enough
To hear such mortifying stuff.
Yet, since from reason may be brought
A better and more pleasing thought,
Which can, in spite of all decays,
Support a few remaining days:
From not the gravest of divines